Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte. Dr. Braun's colleague, Dr. Mueller, who has had... See full summary »
Minutes before her wedding to Duke Otto Von Seibenheim, Countess Helene Mara flees, on a whim, to Monte Carlo, where she hopes her luck will save her poor financial state. There, Count Rudolph Farriere is taken by her beauty, but she rebuffs him, not even looking at him. Assuming the guise of a hairdresser, he finally succeeds in seeing her, night and morning. Sparks fly, and love ensues - but can she love a lowly hairdresser? As her finances worsen though, the Duke arrives, and his money and social status seem even more enticing. Shunning Rudolph, will her story follow the operatic "unhappy ending", or can she have it all?Written by
Intimate details on the gay goings-on in the world's pleasure capitol. With the girl who won the man who broke the bank at Monte Carlo. (print ad- Evening News, Tonawanda, N. Y. 4 February 1931) See more »
Loosely based on the Booth Tarkington novel (1900) that was also source for the Rudolph Valentino drama Monsieur Beaucaire (1924) and the Bob Hope comedy Monsieur Beaucaire (1946). And there really is an English operetta (1918) based on the book, composed by André Messager, later adapted to French. It looks like recordings are only available for the French version. As of this writing (2017), both movies are available on DVD, but Valentino's looks like it's in public domain. See more »
Jeanette MacDonald is referred to as a blonde early on in the dialogue. She was actually a redhead, and no attempt was made to lighten her hair to make her look blonde. Her hair photographed the dark grey red hair usually reproduced as on the black-and-white film used in 1930. See more »
Jeanette MacDonald is luminous, and, to my utter surprise, there is a real erotic charge between MacDonald and Jack Buchanan. Parts of the score may be a bit underwhelming, but "Beyond the Blue Horizon" is as terrific as advertised. Of course, at the root of it all is the peerless cinematic wit of Ernst Lubitsch. A marvelous trifle with a real depth of feeling.
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