5.9/10
118
5 user 4 critic

The Matrimonial Bed (1930)

Passed | | Comedy | 2 August 1930 (USA)
It is the fifth anniversary of the death of Adolphe Noblet who died in a train wreck. His servant and friends still worship him but don't care much for his wife Sylvaine's second husband ... See full summary »

Director:

Michael Curtiz

Writers:

Yves Mirande (by), André Mouézy-Éon (by) | 1 more credit »
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Cast

Complete credited cast:
Frank Fay ... Leopold Trebel
James Gleason ... Gustave Corton
Lilyan Tashman ... Sylvaine
Beryl Mercer ... Corinne
Florence Eldridge ... Juliet Corton
Vivien Oakland ... Susan Trebel
Arthur Edmund Carewe ... Dr. Fried (credits) / Dr. Beaudine (in film) (as Arthur Edmund Carew)
Marion Byron ... Marrieanne
Flora Finch ... Vosin
James Bradbury Sr. James Bradbury Sr. ... August Charbonnier
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Storyline

It is the fifth anniversary of the death of Adolphe Noblet who died in a train wreck. His servant and friends still worship him but don't care much for his wife Sylvaine's second husband Gustave with whom she has recently had a child. Sylvaine's friends recommend that she use a new hairdresser, Leopold Trebel. However, when this womanizing coiffeur arrives, he turns out to be Adolphe suffering from amnesia. A doctor restores his memory using hypnosis but in the process wipes out everything that has happened to him over the last five years. Adolphe thinks he has been unconscious for only a few hours and the doctor tries to keep the truth from him thinking the shock could kill him. This becomes even more difficult as Leopold's wife, with whom he has had two sets of twins, shows up and insists he is Leopold. Gustave finally tells Adolphe/Leopold the truth and he is left with the decision of which man and in which family he wants to be. Written by Brian Cady <cadyb@home.com>

Plot Summary | Add Synopsis

Taglines:

Fifty million French girls can be wrong! (Print Ad-Sandusky register, ((Sandusky Ohio)) 27 August 1930) See more »

Genres:

Comedy

Certificate:

Passed
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Details

Country:

USA

Language:

English

Release Date:

2 August 1930 (USA) See more »

Also Known As:

The Matrimonial Kiss See more »

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Box Office

Budget:

$208,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Vitaphone)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The English version of the play, by Seymour Hicks, opened on Broadway in New York at the Ambassador Theatre, 219 W. 49th St., on 12 October 1927 and had 13 performances. See more »

Goofs

When Dr. Beaudine first arrives and greets Juliet, a moving shadow of the boom microphone is visible on the wall behind them. See more »

Quotes

Sylvaine: [on the phone] Sylvaine speaking. Can you come out tonight? No! No, you naughty boy! On business! To wave a lady's hair.
See more »

Crazy Credits

Arthur Edmund Carewe is billed as Dr. Fried in the credits, but actually plays Dr. Beaudine. See more »

Connections

Version of Mr. What's-His-Name? (1935) See more »

Soundtracks

Fleur D'Amour
(1930) (uncredited)
Music and Lyrics by Sidney D. Mitchell, George W. Meyer and Archie Gottler
Played during the opening credits and as background music often
Played on piano and sung by Frank Fay
Reprised by Frank Fay singing, with background music
See more »

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User Reviews

 
Warner Bros. pre-code is a bit different from the others I've seen
25 December 2008 | by calvinnmeSee all my reviews

Everyone else commenting on this film prior to myself did so between Dec 30, 2003 and early January 2004. That would lead me to believe that everybody saw it on TCM during that timeframe - and not before and not since. That's a shame, since it is a very unusual and unique precode. So, when WHV says there is no real demand for many of their precodes on DVD they should remember that it might be because few people have ever seen them.

This film is a French farce, but the pace and dialogue are very characteristically pre-code Warner Bros. Leading man Frank Fay is unremembered today, and he had a meteoric rise to fame courtesy Warner Bros. and matching meteoric fall courtesy the public's response to his films. Watching him today I just think he was given the wrong kind of roles. I think he pulled the part off of the amnesiac hairdresser very convincingly with just the right balance of comedy and pathos. It is quite touching when he realizes that he has been considered dead for five years and that his wife is lost to someone else whom he strongly dislikes and he sings "their song" to her just once more in an attempt to woo her back. However, Mr. Fay was not a dashingly handsome man, and I think the fault lies at the feet of the Warners for trying to turn him into a musical comedy version of Clark Gable. The absolutely most tiresome part of this film is all of the women in the film who knew Fay's character before his "death" in the train wreck declaring "What a man! What a man!" whenever they look at his portrait. There are title cards at various points in the film declaring the exact same thing just in case the audience forgets what a desirable hunk of man Fay is supposed to be.

Lilyan Tashman lends strong support as the first wife's current best friend and also as the lover of Trebel (Fay) the hairdresser, not knowing he has a previous identity. The catty rivalry between Tashman and the wife's maid (Marion Byron) is priceless pre-code stuff if only we could forget who they are fighting over (Fay) - it is too much of a suspense of belief. James Gleason still has some color in his hair as he plays the second husband of Trebel/Noblet's first wife, one who greatly resents all of the "What a man!" comments. Here he shows what made him one of the great character actors of the 30's and 40's.

P.S. did anyone else notice that when Fay and Gleason finally have a showdown and strip down to their underwear to duke it out that they are wearing exactly the same underwear?? It is as strange as the elephant with the question mark painted on it in "Manhattan Parade", another Warner Bros. precode that has had only a few airings on TCM as far as I know.


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