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Little Caesar (1931)

Not Rated | | Action, Crime, Drama | 25 January 1931 (USA)
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A small-time criminal moves to a big city to seek bigger fortune.

Director:

Mervyn LeRoy

Writers:

W.R. Burnett (novel), Robert N. Lee (continuity) | 2 more credits »
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Nominated for 1 Oscar. Another 1 win. See more awards »

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Cast

Complete credited cast:
Edward G. Robinson ... Little Caesar - Alias 'Rico'
Douglas Fairbanks Jr. ... Joe Massara
Glenda Farrell ... Olga Stassoff
William Collier Jr. ... Tony Passa
Sidney Blackmer ... Big Boy
Ralph Ince ... Pete Montana
Thomas E. Jackson Thomas E. Jackson ... Sgt. Flaherty (as Thomas Jackson)
Stanley Fields ... Sam Vettori
Maurice Black Maurice Black ... Little Arnie Lorch
George E. Stone ... Otero
Armand Kaliz ... De Voss
Nicholas Bela Nicholas Bela ... Ritz Colonna (as Nick Bela)
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Storyline

Rico is a small-time hood who knocks off gas stations for whatever he can take. He heads east and signs up with Sam Vettori's mob. A New Year's Eve robbery at Little Arnie Lorch's casino results in the death of the new crime commissioner Alvin McClure. Rico's good friend Joe Massara, who works at the club as a professional dancer, works as the gang's lookout man and wants out of the gang. Rico is ambitious and eventually takes over Vettori's gang; he then moves up to the next echelon pushing out Diamond Pete Montana. When he orders Joe to dump his girlfriend Olga and re-join the gang, Olga decides there's only one way out for them. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

GANGLAND DARED HOLLYWOOD TO MAKE IT! (Print Ad-Portsmouth Times, ((Portsmouth, Ohio)) 17 February 1931) See more »

Genres:

Action | Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 January 1931 (USA) See more »

Also Known As:

Mali Cezar See more »

Company Credits

Production Co:

First National Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Vitaphone) (Western Electric Sound System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Although The Doorway to Hell (1930), a gangster film released by Warner Bros. in 1930, was a big hit at the time, most sources consider this film to be the one that started a brief craze for the genre in the early 1930s. See more »

Goofs

When Rico is shot behind the billboard, the Thompson submachine gun used by the police detective has a blank-firing device attached. See more »

Quotes

Little Arnie Lorch: Do yourself a favor, will you, Rico? Leave your gat home on the piano the next job you pull. Yeah, park it next to your milk bottle.
Sam Vettori: Hey, run your own mob, Arnie. I'll take care of mine.
Caesar Enrico Bandello: Yeah, I'll park it. I don't need no cannon to take care of guys like you, Mr. Lorch.
See more »

Alternate Versions

In the 1954 re-release, a foreword crawl was added, warning that the "heroes" of Little Caesar and The Public Enemy represent "a problem that sooner or later we, the public, must solve." This version is often shown on cable channels. See more »

Connections

Referenced in Mondo Hollywood (1967) See more »

Soundtracks

If I'm Dreaming Don't Wake Me Too Soon
(uncredited)
Written by Joseph A. Burke and Al Dubin
See more »

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User Reviews

 
Dated, And Some Acting Suspect, But Still Good Viewing
21 October 2006 | by ccthemovieman-1See all my reviews

Boy, is this gangster movie dated but Edward G. Robinson makes it so entertaining! Robinson, like James Cagney, can dominate a film. He certainly does that in this movie, and is sure fun to watch as "Enrico Bandello."

Everything about the movie, including the DVD transfer (although a lot better than the VHS) is dated-looking and sounding, but that helps make it interesting. The dialog is so passe that it's almost weird. I put on the English subtitles so I could understand everything because the slang of those days is something foreign to us nowadays. The different expressions of the day are fun to hear (and read).

The acting by the man (Thomas Jackson?) who plays the main cop is also strange, very wooden-like. He just didn't sound natural. Some of the other actors were likewise, others were fine. It was one of the early "talkies" so maybe things were still needed to be smoothed out, film-wise and acting-wise. In other words, some of the actors sounded professional and others amateurish.

The following year, James Cagney's "Public Enemy" came out and was much better, production-wise. What a big difference in the camera-work, for one. This film may not be the caliber of "Public Enemy" but it's still good and one to have in your collection.


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