Buster Keaton's talents sadly are not put to very good use here. He appears to be sufficiently alert, however the producer and writers have given him nothing to work with and there is clearly no opportunity for his trademark expertise at improvisation. Sad-eyed Buster's excessively shrill nemesis is a stage mother from Hell who steals all of their scenes together through sheer brute force by overacting, rendering Mr. Keaton's character pathetic and perpetually downtrodden. Then again, the viewer is also subjected to Robert Montgomery crooning so there really is plenty of blame to go around here from a production standpoint. Nevertheless, this is an important movie that features unique and valuable insights into Hollywood soon after the industry's changeover to sound. Billy Haines appears in a cameo as himself and he says a few words before wending his way down to the reserved seating section far forward in the Grauman's Chinese Theater--and the camera follows him! The POV includes panoramic scenes of the interior, as well as a close-up look at the Red Carpet outside of the theater as the glamorous stars of the day drove up, alighted from their magnificent cars and had a few words to say into the microphone before heading inside, framed by shots of the crowd that has gathered outside to witness the spectacle. Jackie Coogan is featured here as himself, and the story soon shifts to the MGM Studio where we are afforded further behind-the-scenes eyefuls of a sound stage with all the trappings, outbuildings, gated entrances and eavesdropping on the likes of Fred Niblo and Cecil B. DeMille as they candidly discuss Garbo, Crawford and Shearer! I have always prized MGM's The Jean Harlow Story, starring Jean Harlow--er, make that BOMBSHELL for the unique and rare glimpses that it provides of the Metro-Golden-Mayer studio circa 1933, but this movie was made three years earlier and the storyline is set at the studio. It is therefore particularly instructive for anyone who is similarly intrigued by sustained peeks at real, undesigning people and authentic settings of historical significance in Hollywood from some of the earliest days of its glorious Golden Age. There is some vintage lightning in a bottle here in this Keaton clunker, for anyone who cares to a take a look.
