Lou Ricarno is a smart guy. His plan is to organize the various gangs in Chicago so that the mugs will not liquidate each other. WIth the success of his leadership, Louie prospers, marries ...
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The City of Chicago is gripped by an Axe Murderer. The streets are empty at night as there have been six murders and six people have been caught, but they are lunatics. Only one person has ... See full summary »
Ex-convict Danny Kean decides to become honest as a photographer for a paper. He falls in love with Patricia, the daughter of the policeman who arrested him. Mr Nolan, her father, doesn't ... See full summary »
Five members of a teen-age gang, including leader Jimmy Smith, are sent to the state reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
Linda Vickers gets mixed up with gambler Marty Fain. One of Fain's henchmen uses her car in a killing, and the police come around asking questions. Linda decides to indulge in a bit of ... See full summary »
Richard L. Bare
During the Spanish Civil War, a republican courier travels to England to try and buy coal. He meets with an amount of local hostility, while his life is at risk from those on the fascist ... See full summary »
Unscrupulous showgirl Flaxy Martin involves young attorney Walter Colby with mobster Hap Richie. A girl is murdered, with the evidence pointing to Flaxy, and Colby takes the rap and gets a ... See full summary »
Richard L. Bare
Lou Ricarno is a smart guy. His plan is to organize the various gangs in Chicago so that the mugs will not liquidate each other. WIth the success of his leadership, Louie prospers, marries Doris and retires to Florida to write his autobiography and play golf. In his absence the gang warfare flares, but he does not return as he wants to give a respectable image of life to his wife, younger brother and his Florida neighbors. While letters and telegrams from Mileaway will not influence his decision, events will.Written by
Tony Fontana <firstname.lastname@example.org>
The $10 bill that Louie hands the delivery boy actually looks like a $10 bill, so whether it was real or counterfeit is academic. In the Pre-Code era, movie money tended to look like the real McCoy, and it wasn't until after the introduction and enforcement of the Production Code (in 1934) that movie money began to appear exactly like what it was, stage money. See more »
What appears to be a typo in the gangland slaughter headline of the newspaper Louie reads in the boarding house - it reads 'grewsome' instead of 'gruesome' - is in fact an acceptable variant that was more popular at the time the film was released. See more »
Much has been said about Lew Ayres being miscast in this film, but I don't agree. The notion that a pretty young boy can't be a gangster is belied both by Ayres' performance and by history itself--Pretty Boy Floyd, anyone? (I should add, however, that Jimmy Cagney, in his autobiography, agreed with those who believed Ayres was too pretty to play a convincing gangster!)
This film is so much better than you'd think, and that is due not only to fine performances by Ayres and Cagney (make that, a WONDERFUL performance by Cagney, who really does ignite the screen), but also to impressive direction by Archie Mayo. I confess I usually think of Mayo as a pretty journeyman director, but maybe I've only seen his later work and "talkies" spoiled him. If you were to watch this film without sound, you'd be hyper-aware of the wonderful camera set-ups and editing, particularly during the prison break, when the screen is filled with jump cuts of men's legs running. Of course, without the sound, you'll miss the great period dialogue (a gangland ambush offers Ayres the opportunity to "walk into a handful of clouds").
TCM shows this film from time to time, and you really shouldn't miss it. It's well-written, well-directed, has great performances, and the closing lines (displayed as a printed page of the source story on the screen) are as poignant as anything you'll ever read.
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