The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job ... See full summary »
During the First World War, British combat pilot Dick Courtney mocks his commanding officer Major Brand for being too cautious, unaware that Brand is tormented by the requirement of his command that he send young men to their likely deaths in substandard aircraft and with insufficient training. When Brand is transferred, Courtney becomes the commanding officer and quickly realizes the burden Brand labored under. When Courtney's best friend, Douglas Scott, asks him to spare his newly arrived and inexperienced brother Gordon Scott from combat duty, Courtney cannot justify doing so. A rift grows between the friends as Courtney realizes the tragic demands of his job.Written by
Jim Beaver <firstname.lastname@example.org>
Stand to Your Glasses! (Hurrah for the Next Man to Die)
Lyrics adapted from poem "The Revel" by Bartholomew Dowling
Played on guitar by an unidentified airman and sung by an unidentified airman and others
Reprised a cappella by the airmen See more »
This is what film-making is all about! The Vitaphone audio recording process challenges itself almost continuously in this early talkie. You aurally count the number of planes coming in (off-camera) while watching the reaction of the principals inside the office. You even get the correct fidelity of the wind-up gramophone as characters talk over it. Meanwhile, you watch aerial dogfights that switch seamlessly from soundstage re-creations to actual footage made by a camera mounted at the front of an aeroplane, without any jarring sense of displacement. The melodrama remains palpable with very little over-acting. I'm taking one point off for that occasional over-acting, and for the really dumb use of Southern California semi-desert topography in which the planes take off and land. It wouldn't have been that hard to find a location with a few more trees and more grass. Oh, well. The movie still must have knocked the original audiences' socks off.
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