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Escape from Dartmoor (1929)

A Cottage on Dartmoor (original title)
Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He ... See full summary »

Director:

Anthony Asquith

Writers:

Herbert Price (from the story by) (as Herbert C. Price), Anthony Asquith (scenario)
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Cast

Cast overview:
Hans Adalbert Schlettow ... Harry - a Dartmoor Farmer (as Hans Schlettow)
Uno Henning ... Joe - a Barber's Assistant
Norah Baring ... Sally - a Manicurist
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Storyline

Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in jail.

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

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Details

Country:

UK | Sweden

Release Date:

11 April 1930 (USA) See more »

Also Known As:

Escape from Dartmoor See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (theatre scene) (soundtrack lost)| Silent

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Goofs

When Joe shaves Harry the morning after the movie theater, the coverage of chin and cheeks by soap varies inconsistently through parts of the scene. See more »

Connections

Featured in Shepperton Babylon (2005) See more »

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User Reviews

 
Only 1/- for a haircut!
31 July 2007 | by SpondonmanSee all my reviews

First time of viewing this one: a marvellous experience, from the opening shots of a prisoner on the run over moorland from prison guards to the ending where …

The first intertitle is "Joe!" and we're immediately launched into an hour long flashback of how Joe got to be a prisoner and how he knows Sally. He's obsessively in love with her with awful consequences for the man she really loves, and himself - realistically portrayed and apart from the incident in the barbers unfortunately only too believable. The three main leads play their parts wonderfully well with incessant close ups, inventive photography, low cameras and precise mirror shots highlighting the intensity. Photogenic Norah Baring thankfully was no Hollywood Queen, her self possession and simple youthful homeliness adding an extra dimension to the time honoured tale. Favourite bits: Life in Sally's boarding house with the old biddies, ear trumpets and ancient furniture and plants; The cinema segment with everyone including the redundant pit orchestra intently watching a talkie, and of course the orgasmic psycho-jazz snappy editing; The "murder" in the barbers (it was fun watching everybody apparently just watching the dying man dying).

One of the last mainstream silent films produced, it just couldn't have worked even one year later as a slave to the voice – this shows exactly what silent films could offer as an artform, and still do to those with a little patience. Try it.


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