Captain Donald King of the British Army goes to India just as World War I breaks out, convincing his comrades that he is a coward. In reality, he is on a secret mission to rescue British ... See full summary »
A society novelist brings a brash young chorus girl home in order to study her for inspiration for his new novel. His family is distraught, but soon her behavior has forever altered their ... See full summary »
In the waning days of WWI, a U.S. "Mystery Ship," sets sail for the coast of Spain towing a submarine. Their mission is to find and sink a U-boat that has been especially effective in ... See full summary »
Richard Girard is part of a New Orleans family working closely with the English Warburtons. When Richard meets Mary Warburton she is engaged to Erik von Gerardt. He does wed Mary but their time in America is financially difficult.
"Born Restless" is a 1930 gangster film that surely rates as one of the worst gangster films of all time, made even worse when you think of the great gangster films that came out in the early 30s – "The Big House" (1930), "Little Caesar" (1931), "Public Enemy" (1931), "The Beast of the City" (1932), "Scarface" (1932), etc.
The version I saw had the worst sound of any film I've viewed, so this added to the problem.
Edmund Lowe plays the star. Lowe was a leading man in the silent era ("East of Suez". "What Price Glory") and he plays this one as if it were a silent film, and given how poor the dialogue is, you wish it was a silent film. He did some good work later on (e.g., "Dinner at Eight", Dillinger") but in this film he is wooden.
Lowe isn't the only wooden actor. Almost all the scenes are staged with nary a movement.
This is a John Ford production and Ford gets credit as a co-director. It reminds us that while Ford gave us about a dozen of the finest films ever made, he had a lot of clunkers too, and among his finest films I can't recall a gangster film.
All things considered there isn't any reason to watch this film. You may be curious, as was I, about viewing an early John Ford film, but give this one a miss and go with "The Lost Patrol" (1934) or "The Informer" (1935).
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