Oliver's plans to marry his hefty sweetheart go awry when the girl's father gets a load of her intended groom. They then elope in a tiny car much too small for their combined dimensions, ... See full summary »
Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
After getting lambasted by the Police Chief for the 42 unsolved robberies committed on his watch, Officer Kennedy bamboozles vagrants Stanley and Oliver into a plan to recover his ... See full summary »
Stan and Ollie are down on their luck and beg at an old lady's house for food. While they are eating they overhear a villainous landlord (Finlayson) threatening to evict her if she does not... See full summary »
Oliver's house is in a shambles after a wild party, and his wife is due home at noon. He calls Stanley to help him fix the place up, and the typical catastrophies ensue. Somehow, however, ... See full summary »
It's the morning of Oliver's wedding to oil baron Peter Cucumber's daughter. While waiting for the taxi to take them to the ceremony, Oliver and his best man Stanley become absorbed in a ... See full summary »
In the dead of winter, street musicians Stanley and Oliver aren't getting much business in a run-down neighborhood, and then their instruments are smashed in a run-in with a formidable ... See full summary »
It looks like the boys won't need to fish off the end of the pier to feed themselves any longer when Stanley's rich uncle Ebenezer Laurel dies, leaving a large estate. But when he and ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
James W. Horne,
Commanded to "scram" out of town by a cantankerous judge, poor vagabonds, Stan and Ollie, slip into something more comfortable to spend the night at a sympathetic inebriate's home; however, is this the right house?
Homeless, penniless and one step ahead of the police, Stanley and Oliver take refuge in the home of big-game hunter Colonel Buckshot while the owner is on safari. When Lord and Lady Plumtree call to enquire about renting the house, Oliver pretends to be Colonel Buckshot, while Stanley masquerades as both butler and maid. All goes as well as can be expected, with Lady Plumtree and Stanley, in his guise as "Agnes," engaging in girl talk, until the real Colonel Buckshot returns unexpectedly.Written by
Paul Penna <email@example.com>
Despite this picture's title, Oliver Hardy's signature line was always "another nice mess". There were other variations, but "fine mess" wasn't one of them. See more »
The real maid and butler discuss cleaning the house before it's leased to new tenants while Colonel Buckshot is away on a hunting trip. The butler says 'Oh, lets enjoy the weekend. We'll do it on Monday' Later Lord Plumbtree asks Ollie when is Agnes's day off . Agnes (Stan) answers 'Tuesday and Lord Plumbtree says 'But today's Tuesday' See more »
This is an enjoyable remake of the silent feature "Duck Soup", which had played such an important role in establishing Laurel and Hardy as the great comic duo that is now so well- known. This feature follows the same story setup, and expands it slightly while adding in a number of new gags that would not have worked as well on the silent screen.
Once again, Stan and Ollie find themselves forced to impersonate an absent homeowner and his servants, while hosting a prospective renter. The main story is also framed by a brief opening sequence and an interesting, nearly surreal finale. In the main part of the movie, they get a lot of mileage out of the basic situation, and Laurel plays his multiple role in an amusing fashion. James Finlayson gets a couple of good moments near the end, although he does not get as much to do as he did in some of their earlier features.
It packs a lot of material into a little under thirty minutes of running time, and there are a handful of moments when you can just tell that it was an early sound-era movie. But, as this example shows, Laurel and Hardy had little difficulty in successfully adapting their style to the new era.
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