Young Harry is in love and wants to marry an actress, much to the displeasure of his family. Harry thinks that Bishop Armstrong knows nothing about love so Armstrong tells him the story of ... See full summary »
In New York, the alcoholic skipper of a coal barge Chris Christofferson receives a letter from his estranged twenty year old daughter Anna "Christie" Christofferson telling that she will leave Minnesota to stay with him. Chris left Anna fifteen years ago to the countryside to be raised by relatives in a farm in St. Paul and he has never visited his daughter. Anna Christie arrives and she is a wounded woman with a hidden dishonorable past since she had worked for two years in a brothel to survive. She moves to the barge to live with her father and one night, Chris rescues the sailor Matt and two other fainted sailors from the sea. Soon Anna and Matt fall in love with each other and Anna has the best days of her life. But when Matt proposes to marry her, she is reluctant and also haunted by her past. Matt insists and Anna opens her heart to Matt and to her father disclosing the darks secrets of her past.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
What voice will her full, sensuous lips reveal? Will her speech betray any more of the exotic personality which has made Greta Garbo the world's idol? HEAR FOR YOURSELF! (Print Ad-The Kyle News,((Kyle, Texas)) 9 May 1930) See more »
The original Broadway production won the Pulitzer Prize in Drama in 1922. See more »
You was going on as if one of you had to own me. But, nobody owns me, see; excepting, myself. I'll do what I please and no man, I don't give a darn who he is, can tell me what to do. I haven't asked either of you for living. I'll make it myself, one way or another. I am my own boss. So, put that in your pipe and smoke it!
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MGM also released a silent version with titles by Madeleine Ruthven. See more »
A woman with a past returns to her alcoholic father living on a shabby boat and falls in love with a sailor.
A deliberately grim movie gained fame as Garbo's first talkie (revealing her warm, silky deep voice), and was simultaneously made in Germany - from a well-known O'Neill play. This version now seems pretty stilted and shows the most typical mistakes of early talkies, but full of vivid moments of great power, full-blooded performances (especially the genial interplay between Garbo and Dressler)and the rare Hollywood quality of gritty realism.
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