6.2/10
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26 user 11 critic

Welcome Danger (1929)

Passed | | Comedy | 12 October 1929 (USA)
Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown.

Directors:

Clyde Bruckman, Malcolm St. Clair (uncredited)

Writers:

Paul Girard Smith (dialogue) (as Paul Gerard Smith), Felix Adler (story) | 2 more credits »
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Cast

Complete credited cast:
Harold Lloyd ... Harold Bledsoe
Barbara Kent ... Billie Lee
Noah Young Noah Young ... Patrick Clancy
Charles Middleton ... John Thorne (as Chas. Middleton)
Will Walling ... Capt. Walton (as William Walling)
Rest of cast listed alphabetically:
Grady Sutton ... Man at Party (silent version) (scenes deleted)
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Storyline

Harold Bledsoe, a botany student, is called back home to San Francisco, where his late father had been police chief, to help investigate a crime wave in Chinatown. Written by Herman Seifer <alagain@aol.com>

Plot Summary | Add Synopsis

Taglines:

Action! Thrills! Love! A masterpiece of Lloyd fooling. The world-famous comedian adds words to his action-and how! Here's the greatest talkomedy entertainment ever! (Print Ad-Granby Leader-Mail,((Granby, PQ)) 27 December 1929) See more »

Genres:

Comedy

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English | Cantonese | German

Release Date:

12 October 1929 (USA) See more »

Also Known As:

Achtung, Harold, Achtung! See more »

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Box Office

Budget:

$979,828 (estimated)

Gross USA:

$3,100,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric System)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

Harold Lloyd had a thumb injury years before the movie was made. He would always wear a fake thumb because it was cut off. You can see his fake thumb when he shakes hands with officer Clancy See more »

Goofs

In many of the dubbed scenes, the voices are out of synchronization with the actors' lip movements. See more »

Quotes

Harold Bledsoe: Well, now that you've got it out, what are you going to do with it?
Billie Lee: I don't know? Put it back, I guess.
See more »

Connections

Featured in American Masters: Harold Lloyd: The Third Genius (1989) See more »

Soundtracks

Funeral March of a Marionette
(1872) (uncredited)
Composed by Charles Gounod
See more »

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User Reviews

 
See any or preferably all of the silents instead
24 April 2006 | by woidSee all my reviews

As you might have read here, this movie bridges silents and sound, having been shot without sound, and reshot when sound arrived -- and it appears that little of the silent material was used. There are silent-style titles between scenes, but basically we're watching an early sound film.

Sadly, like many early sound films, it's bogged down by the clumsy technology. The camera is static and actionless... in a Harold Lloyd movie! Harold has few action scenes, or even moments, for most of the film. Meanwhile, his character, speaking for the first time, turns out to be a smart-aleck, not at all like his sympathetic silent persona. Add to that the many moments when he bops somebody on the head or kicks them in the pants, which in sound comes off as painful more than comic. And the fact that he keeps casually destroying other people's property with no motivation makes him come off as, well, kind of a jerk.

Sound quality is not bad for the primitive era, but many scenes are obviously redubbed. And the dialogue! It's inane, which is bad enough. But worse, it's painfully slow, mostly overpronounced in projected, stage-actory voices. As a result, the film drags on at an adagio pace for just short of two hours. Way too long for any comedy.

And to read, again here, that it was previewed at THREE HOURS, tells me that this must have been one of the classic ill-fated Hollywood productions.

And yet... There are some real treats here. Edgar Kennedy is great as the irascible desk sergeant. He's on screen for a long time, but unbilled. Meanwhile, prominent billing goes to Charles Middleton as the weaselly John Thorne. This pleased me because four years later, Middleton and Kennedy both appeared (not together) in one of the one or two greatest comedies ever made, Duck Soup.

In Duck Soup, Kennedy has a series of great scenes -- as the lemonade salesman with Harpo, followed by Harpo, Chico, and the hat-and-leg-swapping routine. And when Freedonia goes to war, he gets to sit on Harpo in the bath.

Meanwhile, Charles Middleton, third-billed here, has merely a bit in Duck Soup, as the prosecutor at Chicolini's trial, playing straight man to Chico and Groucho. Short, but like every moment of Duck Soup, sublime.

Out of respect to the greatness of Harold Lloyd, I can't give this less than a five. But no more, either. It's for diehards & completists only. I'm one myself, but this is a long, hard slog.


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