When he runs short of money, a newspaper reporter pawns a police revolver he was given after he helped the police solve a case. Later on the gun is used in a murder, and the reporter is suspected of committing the crime.
Jimmy idolizes bootlegger Matt, and when he refuses to implicate his friend, he is sent to reform school. He befriends Shorty, a boy with a heart condition, and escapes to let the world know about the brutal conditions.
A young American girl visits Paris accompanied by her fiancee and her wealthy uncle. There she meets and is romanced by a worldly novelist; what she doesn't know is that he is a blackmailer who is using her to get to her uncle.
The Arizona Kid (Warner Baxter) carries out his mission as a Robin Hood-type bandit while posing as a wealthy and carefree miner. He falls for an eastern girl, Virginia Hoyt (Carole Lombard... See full summary »
Theodore von Eltz
This is the story of an egotistical nightclub dance performer named Raoul, his determination to succeed at all costs, and the only woman in his life that truly matters to him, a dancing ... See full summary »
Tough mobster Mahlon Keane practically runs crime in New York City. He meets broke ex-society girl Rhoda Philbrooke at a society fundraiser and helps her cheat her way to some winnings in poker. Rhoda needs the money to help nurse broken alcoholic concert violinist Tony Vaughan back to health. In between his criminal dealings, Keane takes up Rhoda's cause and helps promote Vaughan's return to public performance. Rhoda agrees to marry Keane but still harbors unrequited love for Tony Vaughan. On the eve of her marriage, Vaughan confesses his love to Rhoda. Now how will she handle her mobster fiancée?Written by
Gary Jackson <firstname.lastname@example.org>
The earliest documented telecast of this film occurred in Los Angeles Thursday 17 February 1949 on KFI (Channel 9). See more »
When Gus spots rival gangster Bernie Weber riding in the back of a taxi, he tells his driver Squid to pull alongside it so he can shoot him. Gus refers to it as a gray cab, and in the studio close-up it appears to be white or at least a very light gray. In the subsequent cut to the location shot done outdoors on location, the cab with the dead mobster appears to be black. See more »
Mr Keane, If you'll understand what I'm going to say, we'll save time. I cheated last night because I needed money. You helped me. I'm grateful to you for that, but that's all. If that's clear to you, will you please go?
I didn't come here for your thanks.
There's nothing else I have to give you.
But I think there are a few things I have to give you.
Oh. You can't understand that a woman who would cheat for money might not care to do other things...
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The good story and Carole Lombard's performance make "The Racketeer" one of the movies of the very early sound era that still holds up all right. It does have the flaws common to the earliest sound movies, with some shaky dialogue delivery, an erratic pace, and weak sound quality. But these do not keep it from being worth seeing, and in any case even the better movies of 1929 usually had some of these same problems.
Lombard has a very good role as a somewhat mysterious divorcée caught between two very different men. Robert Armstrong plays the gangster who helps both her and her other boyfriend. The third member of the triangle is a drunken violinist played by Roland Drew. Drew gives a rather nondescript performance, but at least the character is interesting. More than that, the setup does a good job in varying the usual formula so as to set up some good drama.
The atmosphere holds up well, and although some individual sequences have oddly chosen pacing, as a whole the story moves along pretty well. It easily holds your interest for the whole running time. It compares favorably with many of the movies of its day, and it is still a solid feature worth seeing for those who enjoy the movies of the era.
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