Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
A young man falls in love with a beautiful blonde. When he sees her being forced onto a luxury liner, he decides to follow and rescue her. However, he discovers that she is an English ... See full summary »
Toni Le Brun, a beautiful Viennese singer, becomes the ward of the wardrobe mistress of a Monte Carlo nightclub. Her benefactor, however, is actually a baroness incognito. Toni falls in ... See full summary »
Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is... See full summary »
Chorus girl Jill and composer Fred are happily married until he steps out on her with another woman. Tired of his ongoing alcoholism and heartbroken, Jill decides to leave him and live it up, though she must contend with the unwanted advances of a notorious gangster who will stop at nothing to make her his mistress. And when she considers taking Fred back, matters could get deadly fast.Written by
This film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. It first aired in Cincinnati Tuesday 27 September 1949 on WCPO (Channel 7). See more »
Before putting a pot of coffee on the stove, Jill uses a wooden match to light the burner, while never once looking at the match. She shakes the match to put it out, but it flares up again as she drops it on top of a cabinet next to the stove. She then puts the coffee pot on the burner and walks off camera to look out the window. See more »
[Norma Talmadge's first line of spoken dialogue on film - said down a dumbwaiter shaft to who she thinks is the iceman]
Twenty-five pounds. And don't give my chunk a twice-over shave.
[said up the dumbwaiter shaft after sending up a stolen box of flowers with a note for her birthday]
Good morning, Jill.
Good morning, Mr. Prividi.
Mrs. Deverne, as I wished ya' wasn't.
You stop this silly flower business! Do you hear me?
Why? It's your boithday, ain' it, huh?
Well, who told you to celebrate it?
[...] See more »
Perhaps "New York Nights" worked better when it debuted back in 1929. When seen today, however, the film comes up wanting in many ways-- with some stilted acting and a completely ridiculous ending.
When the film begins, Fred (Gilbert Roland) is running around with his buddy getting drunk and chasing when in a speakeasy. Once again, when he returns home he lies to his wife Jill (Norma Talmadge). She believes him at first as well as his recent promise to reform but when an acquaintance reveals the truth, she's had enough.
For much of the rest of the film, Jill lives a wild life with wild parties--all in an effort to not think about her now ex-husband. But when she meets him in court after she's been out on a bender and he's a hobo, they reconcile...but what about the gangster that has fallen in love with her? Will he simply allow Fred to come home and step aside for the guy or will it be curtains?
This film is only mildly interesting and no more. Not a terrible film but certainly NOT a very good one either.
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