Lou Ricarno is a smart guy. His plan is to organize the various gangs in Chicago so that the mugs will not liquidate each other. WIth the success of his leadership, Louie prospers, marries ... See full summary »
Fred J. Johnson (Lloyd Corrigan) scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are ... See full summary »
Irene is unhappily married to an older businessman, but very much in love with a handsome young lawyer. He doesn't want to add to her unhappiness by ruining her marriage; she is terrified of her husband's jealousy and anger. They decide to stop seeing each other, and she bides her time with Pierre, a young friend of the family who walks their dogs and is in puppy love with Irene. When Pierre is about to leave for college, he begs her for a goodbye kiss. She agrees, and who should walk in while it is happening, but her ailing and financially distraught husband...Written by
Gary Dickerson <email@example.com>
Both times when Madame is abbreviated is French, it is spelled Mme followed by a period. The period should not be there. In addition, in the newspaper headline a-t-Elle Tue son mari, tue needs an accent tué and elle should not be capitalized. See more »
In the opening credits, the name of André, Conrad Nagel's character, is spelled "Ardré." See more »
You know I'm eighteen years old. I'm passed the age of puppy love.
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The Kiss (1929) was the final silent film produced by Metro-Goldwyn-Mayer. It was also the final silent film of stars Greta Garbo and Conrad Nagel.
The subtle acting and sophisticated (and purely visual) storytelling show how far silent cinema had come by the late 1920s. When talkies took over Hollywood, the acting regressed back to that of the stage, the background music was replaced with static hiss, and even basic film-making techniques were restrained due to the sound equipment. It would take a few years for sound technology to grow in sophistication.
Removed from its distinction as the end of an era, The Kiss is an average melodrama, especially for Garbo, who plays an unhappily married woman in love with another man. She looks luminous and acts completely with her eyes, her brilliance showing through even in material such as this. Conrad Nagel is competent in an unchallenging role, and Lew Ayres is simultaneously adorable and somewhat sinister as the young man smitten with Garbo.
The big twist is predictable and the recorded score is cheesy, using Tchaikovsky's Romeo and Juliet theme as the lovers' leitmotif, but overall, this is a skillfully made bit of melodramatic fluff, the last gasp of MGM's silent output.
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