"The Wedding March" ended with the marriage between Nikki and the crippled Cecilia takes place. Eberle swears to kills the prince unless Mitzi will agree to marry him. She relents, but at ... See full summary »
Peggy and her friend Millie are strolling down Broadway while Jimmy and Mac are trolling Broadway, and the four get together. Jimmy and Peggy get together in many romantic ways and Peggy ... See full summary »
The wife of an American playwright in Paris becomes ensnared in the seductive wiles of an American Army officer, but her devotion to her husband convinces the officer to try to extricate ... See full summary »
Erich von Stroheim
Sam De Grasse,
The "Gaga Bird" production number is presumed lost. Please check your attic. See more »
Oh, I see a move. Look - eight on the nine, and then your King comes up, and that plays a Queen.
Will you leave these cards alone? You think you can show me something?
See more »
Most, perhaps all, VHS and DVD releases of the film have the color sequences in black and white. See more »
Early talkie has Erich von Stroheim playing Gabbo, a ventriloquist who breaks free from his assistant and then finds huge success on his own with his dummy Otto. After his success he runs into his assistant again who by this time is also famous and Gabbo thinks he can control her like he did when they first started. This here is a pretty confusing movie because it's not quite sure what it wants to do. The stuff with the dummy controlling Gabbo might make you expect a horror movie but these elements are very few. We have the personal drama of the assistant and her new husband. We have some plot about Gabbo being crazy. Then, for some unknown reason, the final thirty-minutes pretty much gets away from the Gabbo story and we get some incredibly long music numbers but more on them in a bit. There's not too much plot here but what little there is seems to come and go as the movie goes along as we switch gears so many times that it's pretty hard to follow what the filmmakers are trying to do. The best thing about the movie and the only real reason to watch it is for the performance of von Stroheim who is perfectly wicked in the role. He gives an incredibly strong performance here and you can't help but feel the hatred of his character as it seems to be really coming out of the actor. I'm sure this period in his life wasn't the greatest so this role gave him a chance to really let out some steam. Betty Compson, who appeared in THE DOCKS OF NEW YORK, is pretty good in her role as well but the screenplay gives her a lot less to do and doesn't have nearly as flashy of a role. I'm really not sure where the music numbers come from but I'm going to guess they were added after talkies became popular and Musicals started bringing people in. The film is pretty much doing its own thing when out of no where these dance sequences come up and they'll all incredibly bad, poorly staged and most of the time the voices are so high-pitched that you'll be wishing you were watching a silent. There's one incredibly strange one where the dancers are flies stuck in a spider web that's so bizarre it's pretty much a must-see. The sound quality here is certainly among the best I've heard from this era and considering how small the budget was I'm curious how they managed to do this.
3 of 7 people found this review helpful.
Was this review helpful to you?
| Report this