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3 user

Daibosatsu toge: Kanketsu-hen (1961)

Disguised as a beggar monk, Ryunosuke's harrassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall.

Director:

Kazuo Mori
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Cast

Cast overview, first billed only:
Raizô Ichikawa ... Tsukue Ryunosuke
Tamao Nakamura Tamao Nakamura ... Ohama / Otoyo / Ogin
Katsuhiko Kobayashi Katsuhiko Kobayashi
Kôjirô Hongô Kôjirô Hongô
Hajime Mitamura Hajime Mitamura ... Komai Noto Dan
Saburo Niwamata Saburo Niwamata ... Utsugi
Ryûzô Shimada Ryûzô Shimada ... Kamiya
Mieko Kondô Mieko Kondô ... Otama
Hiroko Yajima Hiroko Yajima ... Otoku
Michiko Ai Michiko Ai ... Okinu
Akiko Inoue Akiko Inoue
Kimiko Tachibana Kimiko Tachibana ... Oroku
Yoichi Mashio Yoichi Mashio ... Yohachi
Shinobu Araki Shinobu Araki ... Abbot
Bontarô Miake Bontarô Miake ... Urajuku No Shichibee
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Storyline

Disguised as a beggar monk, Ryunosuke's harrassed along the road by the rowdy members of a country dojo or fencing school malingering outside their fencing hall.

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Genres:

Action | Drama

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Connections

Follows Satan's Sword (1960) See more »

User Reviews

 
Kenji Misumi Is Missed, but the Third Film Offers Fitting Conclusion
29 August 2020 | by jrd_73See all my reviews

The third film in The Daibosatsu Toge trilogy starring Ichikawa Raizo as the murderous anti-hero Ryunosuke Tsukue offers a fitting conclusion to the series in spite of some problems.

The biggest problem is that Kenji Misumi does not return to the director's chair. Kazuo Mori, a workmanlike director, takes over. Gone are the bright colors of the first two films. Also, missing is some of the poetry. Throughout the series, Ryunosuke has been beset by sounds and visions of those he has killed. Misumi used voices, a shadow on a wall, to present Ryunosuke's mental deterioration. However, here, director Kazuo Mori gives the audience spectral, deformed figures like in a horror movie. It is a very literal approach, and I missed Misumi's subtler hand.

Another disappointment is the way the third film seems, at least for most of its running time, to be an intriguing, stand alone samurai story, but in the last twenty minutes rushes to a conclusion for the whole series, with some of the major characters absent from the scene/film.

In spite of these, I liked the main story with Ryunosuke getting involved with a corrupt lord and a deformed, wealthy woman. As always, Ichikawa Raizo is marvelous as Ryunosuke. He always had me watching.

I had read about this film's ending in one of Chris D.'s articles on samurai films published in the mid-1990's in Cult Movies magazine (these articles helped get me interested in samurai films). I was waiting in anticipation for the climax. Well, it wasn't exactly the way I had pictured it (Kenji Misumi would have done it better), but it was still a good send off for the murderous Ryunosuke Tsukue.


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Details

Country:

Japan

Language:

Japanese

Release Date:

17 May 1961 (Japan) See more »

Also Known As:

A Espada Demoníaca: Terceira Época See more »

Company Credits

Production Co:

Daiei Studios See more »
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Technical Specs

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