Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much ...
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After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Dan, a tough police captain, and Ray, a hardened criminal, are estranged brothers. When Ray faces capture, Kitty, the sister of Ray's ex-partner, offers to help him escape because she sees an opportunity for revenge against Dan.
Idealistic farm boy Peter loves Amy whose fancy is urbane Harry. He discovers Harry is a rum runner and turns him over to prohibition agents, including Jane. May is at last impressed with ... See full summary »
William A. Wellman
George K. Arthur,
Joan Fry, a society woman, falls in love with Chuck Riley, the white-leader of a powerful gang in Chinatown, and he quickly drags her down into the depths with him. But seeing her so much in love with him causes him to realize he is in love with her, and he determines to lift her up again. "Boston" Charley, the rival gang-leader, has other plans.Written by
Les Adams <email@example.com>
One of the earliest of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by MCA ever since. See more »
Filming of Chinatown Nights as a silent was one-third completed when production was stopped to adapt it to sound. Four days later, dialogue had been written and filming resumed. In the Movietone version that survives, the retained silent sequences sometimes jarringly remind the viewer that the silent cinema was a totally different art form. Over-emoted scenes are dubbed and the result is risable. Indeed, Florence Vidor quit the talkies immediately upon the completion of principle photography and her dubbing is handled by an actress who manages to inject a tremmello into every syllable. However, when the new footage takes over, the film paces itself well. The love story plays true and the Chinese Theatre set piece is rousing. Wellman keeps the camera moving. If you enjoy seeing the birth of a new art form, then you might not mind the man with the megaphone's sloppy looping. His voice will still bark even when the cone goes to his side. And did I mention Warner Oland plays an evil Oriental? Recommended.
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