Man with a Movie Camera (1929)
The whole magician sequence.
The dam shot.
Cut from a crowd to a train coming towards the camera
In the last reel, there is a poster for the showing of the film at the Proletarian Cinema (Kiev).
The poster of the film is shown several time.
The poster for this film is shown
Another "life caught unawares" film that is directly influenced by Man with a Movie Camera
Band members in the dark waiting for the cue to start playing
in part II - pictures shown
In "Experimental Film", the imagery and scenes of Strong Sad watching film sprocket holds go by refers to this early experimental movie, which has a section where the sides of the film are exposed, and the characters look outside their own frame/world at the holes running by
Referencing the earlier film's intricate, go-for-broke visual aesthetic, director Nathan Vass briefly appears as the Man With a Movie Camera.
For the famous sequence of splitting a building effect, pure film narrative without acting and story.
Narrator attempts to imitate Vertov's camera technique
Referenced by name
Certain shots in the film - such as the shadow of the camera - were intended as tributes to Vertov's film.
This movie is a hommage to Vertov's film.
Title and the latter movie pays homage to the former
The film is heavily influenced by Vertov and some ideas are emulated for a city scape in the 21st century
It is about the creators of this film
For the content that completely made only by editing. It does not depend on shooting.
Mentioned in a discussion in a cafe.
Two scenes of this movie appear.
Clip included; editing analysed.
At the end of the movie, the main character changes his thesis focus from German film to Russian film. This is the Russian film he is watching.
Footage from this film was edited into this episode
Clips included in documentary