In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
This playful film is at once a documentary of a day in the life of the Soviet Union, a documentary of the filming of said documentary, and a depiction of an audience watching the film. Even the editing of the film is documented. We often see the cameraman who is purportedly making the film, but we rarely, if ever, see any of the footage he seems to be in the act of shooting!Written by
George S. Davis
Included in the Toronto International Film Festival's Essential 100, movies every cinephile should see. See more »
At the beginning there is a long explanation of what this film is about and that it is of experimental origin. See more »
In honor of the ninetieth anniversary of the founding of VUFKU (The All-Ukrainian Photo-Cinema Administration), the Oleksandr Dovzhenko National Film Centre implemented a 2K restoration of Man with a Movie Camera (Ukrainian title: "Liudyna z Kinoaparatom"). It which was released on DVD in 2011, as part of the collection "Ukrainian Re-Vision" ("Ukrainske Nime"), and as a standalone DVD in the Kolo Dzigi Collection series. This version has a running time of 66 minutes and features three scores, by the following artists: DJ Derbastler (Ivan Moskalenko; UA, 2011), Vitalii Tkachuk's Quartet (UA, 2010), and In the Nursery (UK, 1999). See more »
Dziga Vertov's "Cheloveks Kino Apparatom" is one of the greatest documentaries to come out from Russia or from anywhere, anytime. It is a silent experiment in cinematography and editing or as Vertov put it - a film without a script, without any inter titles etc. His wife, Yelizaveta Svilova edited the film and his brother Mikhail Kaufman photographed it. Kaufman is actually the "man with the movie camera" in it.
When Kaufman saw the edited film he wasn't happy at all. Two brothers had a fight and never worked together again. Kaufman didn't agree with Vertov's style and his statement against cinema that was too dependent on literature and theater. Vertov's aim was to create a different language and he certainly succeeded. "Cheloveks Kino Apparatom" is a delightful work and it is too incredible for 1929 when it was made. I saw it with many different soundtracks and one of the most interesting ones is by Alloy Orchestra. By the way, Vertov's other brother Boris Kaufman won an Oscar for On the Waterfront. Some other documentaries I loved were Nanook by Flaherty, controversial Olympia by Riefenstahl, Last Spring on Sergei Paradjanov, and Sorrow and Pity by Ophuls.
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