The Broadway Melody (1929) - News Poster

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King of Jazz

Make room for a genuine rarity, come back from the cinema graveyard in excellent condition: a lavish color musical extravaganza from 1930 that’s been effectively Mia for generations. Universal undertook a daunting restoration of this ‘revue-‘ style spectacle, which includes a full presentation of George Gershwin’s Rhapsody in Blue in its original orchestration.

King of Jazz

Blu-ray

The Criterion Collection 915

1930 / Color / 1:33 flat full frame / 98 105 min. / available through The Criterion Collection / Street Date March 27, 2018 / 39.95

Starring: Paul Whiteman, John Boles, Bing Crosby (unbilled),

Laura La Plante, Jeanette Loff, Glenn Tryon, Wiliam Kent, Slim Summerville, The Rhythm Boys, Kathryn Crawford, Beth Laemmle, Stanley Smith, Charles Irwin, George Chiles, Jack White, Frank Leslie, Walter Brennan, Churchill Ross, Johnson Arledge, Al Norman, Jacques Cartier, Paul Howard, Nell O’Day, The Tommy Atkins Sextette, Marion Stadler, Don Rose, The Russell Markert Girls.

Cinematography: Hal Mohr, Jerry Ash, Ray Rennahan

Film Editor: Maurice Pivar, Robert Carlisle
See full article at Trailers from Hell »

All the history-making fun facts ‘The Shape of Water’ set with its Best Picture Oscar win

All the history-making fun facts ‘The Shape of Water’ set with its Best Picture Oscar win
“If you are a nominee tonight who isn’t making history, shame on you,” Jimmy Kimmel chided in his Oscars monologue Sunday. “The Shape of Water” doesn’t need to saunter off with its head down because the Best Picture champ made a whole lot of history by taking the top prize, one of four awards it won.

Here’s a list of all the droughts that were ended, records that were set and stats that were killed (say it with me: no SAG ensemble nomination!) by “The Shape of Water” with its Best Picture victory.

See How I knew ‘The Shape of Water’ would beat ‘Three Billboards’ for Best Picture

– First film since “Braveheart” (1995) and second overall to win without a SAG ensemble nomination

– First film since “Braveheart” to win without acting, writing or editing wins

– First film with a female lead to win since “Million Dollar Baby” (2004)

– First
See full article at Gold Derby »

Oscars: Best Picture Winner Poised to Rout History

Oscars: Best Picture Winner Poised to Rout History
Those who have been following the annual ups and downs of Oscar season long enough know that while the numbers don’t lie, they certainly don’t tell the full story. Using statistics to guess which way the Academy breeze will blow in the best picture race can wind up leading you straight into a wall — as frequently has happened over the past several years.

Conventional wisdom held that after “Wings,” “Grand Hotel” and “Driving Miss Daisy,” no film without a director nomination could again win best picture, until “Argo” pulled it off. Ever since “Ordinary People,” no film without a film editing nomination could hit the jackpot, until “Birdman” managed it. And certainly no film with a record number of nominations — as many as winners “All About Eve” and “Titanic” — could possibly lose Hollywood’s top prize, until “La La Land” proved otherwise.

This year, no matter what wins best picture, it will be
See full article at Variety - Film News »

‘Dunkirk’ has an uphill Oscar battle: It’d be the first Best Picture winner without acting or writing nominations in 85 years

‘Dunkirk’ has an uphill Oscar battle: It’d be the first Best Picture winner without acting or writing nominations in 85 years
The story of this year’s Oscar race is rules. Which long-standing rule awards pundits rely on to make predictions will be broken? All of the top five Best Picture contenders in our predictions have something missing — “The Shape of Water” doesn’t have the SAG ensemble nomination, “Three Billboards Outside Ebbing, Missouri” doesn’t have a director nomination, “Lady Bird” and “Get Out” don’t have editing or any craft nominations, and “Dunkirk”? “Dunkirk” would have to break one of the longest stats. Christopher Nolan’s epic doesn’t have any acting or writing nominations and only two films have won Best Picture without either of them: “Wings” (1927/28) and “Grand Hotel” (1932).

That’s right, it hasn’t happened in 85 years. Even then, you can attribute the first two instances to the early days of the Oscars, when categories, rules and voting patterns were in flux. “Wings,” of course, was
See full article at Gold Derby »

‘Get Out’ and ‘Lady Bird’ attempting to be sixth Best Picture champ without any below-the-line nominations

‘Get Out’ and ‘Lady Bird’ attempting to be sixth Best Picture champ without any below-the-line nominations
Get Out” and “Lady Bird” have inhabited the No. 3 and 4 spots in our Best Picture Oscar odds in some order since nominations were announced. On the surface, those high rankings make sense — they’re two well-received, critically acclaimed movies by exciting new filmmakers. But look a little closer and you’ll see that neither film has any below-the-line nominations. If either wins the top prize, it’d only be the sixth film to do so and the first in 37 years.

The five films in this small club are “The Broadway Melody” (1928/29), “Grand Hotel” (1931/32), “It Happened One Night” (1934), “Annie Hall” (1977) and “Ordinary People” (1980). Of these, Best Picture was the only award “The Broadway Melody,” which was also up for director and actress, won and it was the only category in which “Grand Hotel” was nominated.

Get Out” has four nominations, one fewer than “Lady Bird,” and they’re all for acting,
See full article at Gold Derby »

2018 Oscars: Does Best Picture champ have to win an acting award first?

2018 Oscars: Does Best Picture champ have to win an acting award first?
The Shape of Water” numbers three acting bids among its leading 13 Academy Awards nominations for lead Sally Hawkins and supporting players Richard Jenkins and Octavia Spencer. According to our exclusive Oscar odds none of them is predicted to win on March 4. Should that scenario play out, does that mean that their film won’t win Best Picture?

Not so fast.

While 53 of the 89 Best Picture champs to date include an Oscar-winning performance, 36 of them (40%) did not win any acting awards. And among those three dozen winners are four of the eight films — “The Hurt Locker” (2009), “Argo” (2012), “Birdman” (2015) and “Spotlight” (2016) — decided by preferential ballot under the newly expanded slate of Best Picture nominees.

Surprisingly, an even dozen of the Best Picture winners did not even reap any acting nominations. That is welcome news for “Arrival,” which does not number an acting bid among its eight nominations. However, four of those films
See full article at Gold Derby »

Oscars 2018: Will Best Picture and Best Director line up for the first time since ‘Birdman’?

Oscars 2018: Will Best Picture and Best Director line up for the first time since ‘Birdman’?
It used to be pretty much an Academy Awards norm that the film that won Best Picture also took home the Oscar for Best Director. In recent years that has changed, largely due to the preferential ballot that has been implemented for Best Picture voting. These two categories have split in four of the past five years, with “Birdman” (2014) and its director Alejandro G. Inarritu being the last time they lined up. Currently “The Shape of Water” is in first place to win both categories on Gold Derby’s Oscar charts, so might things get back on track this year?

See 2018 Oscar nominations: Full list of Academy Awards nominees in all 24 categories

A year ago Damien Chazelle won Best Director for “La La Land” while “Moonlight” took Best Picture, becoming the fourth time this decade that the Oscar split occurred. In 2015 Inarritu won Best Director for “The Revenent” (his second
See full article at Gold Derby »

2018 Oscars: Will ‘Three Billboards’ be the first Best Picture champ without a director or screenplay win in 15 years?

2018 Oscars: Will ‘Three Billboards’ be the first Best Picture champ without a director or screenplay win in 15 years?
Martin McDonagh’s omission from the Best Director final five was a big blow to “Three Billboards Outside Ebbing, Missouri” as it now tries to become just the fifth film to win the Best Picture Oscar without a directing nomination. But that may not be the only stat it has to defy: “Three Billboards” could also be the first film in 15 years to snag the main award without a directing or screenplay win.

Only 10 other films have done this. They are:

1. “Wings” (1927/28)

2. “The Broadway Melody” (1928/29)

3. “Grand Hotel” (1931/32)

4. “Mutiny on the Bounty” (1935)

5. “The Great Ziegfeld” (1936)

6. “Rebecca” (1940)

7. “Hamlet” (1948)

8. “All the King’s Men” (1949)

9. “Gladiator” (2000)

10. “Chicago” (2002)

(1952 Best Picture champ “The Greatest Show on Earth” could also be included in this list — it won the now-defunct Oscar for Best Story, which didn’t award the actual script and co-existed with Best Original Screenplay until it was dissolved after the 1956 season.)

Directing and screenplay understandably
See full article at Gold Derby »

Dreamers and Dreams: New York and the Early Musical Film

By Jacob Oller

The city that never sleeps and the least sleepy genre are a match made in heaven. he early musicals were similar to the early animations: raucous, irreverent, and intensely urban. New York City was a haven for both. From Lights of New York to The Broadway Melody, the stage musical’s home became home to the […]

The article Dreamers and Dreams: New York and the Early Musical Film appeared first on Film School Rejects.
See full article at FilmSchoolRejects »

The Lost World (1925)

*Sigh* — Not a day goes by that I don’t miss my escaped brontosaurus. This wonder movie of the silent era, which pits five intrepid explorers against Sir Arthur Conan Doyle’s fantastic South American plateau where marvelous animals from the dawn of time still live. Blackhawk Films and Lobster’s latest digital restoration includes footage never before seen, in original tints; it’s dedicated to film restorer David Shepard.

The Lost World

Deluxe Blu-ray Edition

Flicker Alley

1925 / Color / 1:37 Silent Ap / 110 min. / Street Date September 19, 2017 / 39.95

Starring: Wallace Beery, Lloyd Hughes, Bessie Love, Lewis Stone, Alma Bennett, Arthur Hoyt, Margaret McWade, Bull Montana, Frank Finch Smiles, Jules Cowles, George Bunny, Leo White.

Cinematography: Arthur Edeson

Writing credits: Marion Fairfax from the novel by Sir Arthur Conan Doyle

New Music Score: Robert Israel

Technical Director: Willis O’Brien, assistants & effects men Marcel Delgado, Ralph Hammeras, Fred Jackman, Devereaux Jennings, Hans Koenekamp,
See full article at Trailers from Hell »

Bww Feature: Throughout the Years, Movie Musicals have been Overlooked for Best Picture

In the 89 years that the Academy Awards have been held, over 40 musicals have either been nominated for or have won an Oscar for Best Picture, including this last December's La La Land. The first musical to ever win Best Picture was The Broadway Melody at the second Academy Awards in 1929. The film starred Charles King, Eddie Kane, Bessie Love and Anita Page
See full article at BroadwayWorld.com »

Oscars 2017: How Will ‘La La Land’ Perform in Relation to Previous Best Picture-Winning Musicals?

La La Land’ (Courtesy: Lionsgate)

By: Carson Blackwelder

Managing Editor

La La Land has officially earned a spot in the history books by tying the record for the most Oscar nominations ever — but just how many of those 14 chances will it see a win? This critical darling is widely considered to take home best picture come February 26, which would make it just the 11th musical to do so, so let’s examine how it stands in the other categories by doing a deep dive into the track records of the 10 musicals that took home top honors before it.

These legendary musicals that were all able to garner Hollywood’s top award include: 1929’s The Broadway Melody, 1936’s The Great Ziegfeld, 1944’s Going My Way, 1951’s An American in Paris, 1958’s Gigi, 1961’s West Side Story, 1964’s My Fair Lady, 1965’s The Sound of Music, 1968’s Oliver!, and 2002’s Chicago. Now,
See full article at Scott Feinberg »

Oscars: How Often Do Musicals Result in Best Actor and Best Actress Nominations and Wins?

Emma Stone and Ryan Gosling in ‘La La Land’ (Courtesy: Lionsgate)

By: Carson Blackwelder

Managing Editor

Not only is La La Land breaking records as the most-nominated musical in Oscar history but that haul of 14 nominations for its lead pair, Emma Stone and Ryan Gosling. Musicals don’t often get that much love from the Academy Awards and getting recognition in both the best actor and best actress categories is even rarer. Let’s take a look back at the history of this happening and see how Stone and Gosling’s nominations — and potential wins — are important.

Taking a look at this year’s nominations, Stone is favored to win more than Gosling is for their work in the Damien Chazelle-directed musical. Gosling is up against Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences) — with the latter expected to reign supreme.
See full article at Scott Feinberg »

Oscars: How Often Is There a Split Between Best Picture and Best Director?

La La Land’ and ‘Moonlight’ (Courtesy: Dale Robinette; David Bornfriend/A24)

By: Carson Blackwelder

Managing Editor

Nothing is certain at the Oscars, and that absolutely applies to the best picture and best director categories. While it is common for films to win both of these trophies in a given year, sometimes they can go to two different works. There’s a chance that La La Land and Moonlight could split these categories at the upcoming ceremony — but how often does that happen?

Both of these films are considered frontrunners in both the best picture and best director category at the upcoming Oscars. This site’s namesake, The Hollywood Reporter’s Scott Feinberg, lists La La Land — written and directed by Damien Chazelle — and Moonlight — written and directed by Barry Jenkins — as the top two contenders in both categories in his latest check-in on the race. The two films have been
See full article at Scott Feinberg »

Oscars: How Do Leading Ladies From Musicals Fare in the Best Actress Category?

Emma Stone in ‘La La Land’ (Courtesy: Lionsgate)

By: Carson Blackwelder

Managing Editor

Emma Stone is poised to do something very historic this year if she takes home the best actress Oscar for La La Land. The history of leading ladies from musicals in this category isn’t that long and, should the 28-year-old win — as critics are predicting even considering Natalie Portman in Jackie — it would be an occurrence we haven’t seen for quite some time.

In the Damien Chazelle-directed flick, Stone plays an aspiring actress named Mia opposite Ryan Gosling as a jazz musician named Sebastian — their third time playing love interests after 2011’s Crazy, Stupid, Love and 2013’s Gangster Squad. As these two fall in love amid their struggle to make it in Los Angeles, their individual quests for fame begin to pull them apart.

The other frontrunners to give Stone competition for best actress
See full article at Scott Feinberg »

Why ‘La La Land’ Winning Best Picture at the Oscars Would Be Monumental

La La Land’ (Courtesy of Venice Film Festival)

By: Carson Blackwelder

Managing Editor

Musicals have always had their place in Hollywood, but they aren’t exactly hyped these days. One film, La La Land, could change that this year and — based on what critics are predicting — is poised to at least be nominated for, but potentially win, best picture at the Oscars.

Should the film — directed and written by Damien Chazelle and starring Ryan Gosling and Emma Stone — take home the top honors at the 89th Academy Awards on February 26, 2016, it would be joining an elite group of works as just the 11th musical to win the coveted category.

The list of musicals to have won best picture at the Oscars include: 1929’s The Broadway Melody in 1930, 1936’s The Great Ziegfeld in 1937, 1944’s Going My Way in 1945, 1951’s An American in Paris in 1952, 1958’s Gigi in 1959, 1961’s West Side Story
See full article at Scott Feinberg »

Oscars 2017: Is ‘Billy Lynn’s Long Halftime Walk’ All Visual and No Story?

Billy Lynn’s Long Halftime Walk’ (Courtesy: Sony)

By: Carson Blackwelder

Managing Editor

Billy Lynn’s Long Halftime Walk had its world debut on October 14 at the New York Film Festival and the early reviews are, to put it simply, a little all over the place. While Ang Lee’s latest work is, as intended, a visual spectacle — to its own detriment, some critics note — it seems as though the story isn’t being mentioned all that often and, when it is, there’s not much praise to dole out.

Jean-Christophe Castelli wrote the screenplay, which is based on the 2012 novel of the same name by author Ben Fountain, for the movie about a young soldier named Billy Lynn who returns home from Iraq in 2004. Both works, which are anti-war yet pro-military, focus on the 19-year-old as well as the surviving squad members with flashbacks to the battlefield action coupled
See full article at Scott Feinberg »

It’s official, the best Oscar year ever is… – watch Jump Cut #4

This week’s Jump Cut is all about determining the best year ever in cinema.

“But how can you figure that out?!” you shout at whatever device you’re reading this on. “Film is too subjective an art form for you to make overarching statements like that!”

That’s a very good point, but you’re overlooking two things: 1) the Oscar best picture nominations, and 2) film ratings on the Internet Movie Database. Both obviously have degrees of subjectivity, but that’s levelled off somewhat with each institution’s sheer number of voters or raters.

So, to work out what year was the best ever for cinema, we’ve taken all the films nominated for each year’s Best Picture Oscar, and then worked out their average IMDb rating. I’ll just point out that these were the ratings as of the week of the 88th Academy Awards on 22nd February
See full article at Flickeringmyth »

Lack of Best Screenplay Nomination May Spell Defeat for ‘The Revenant’ in Best Pic Category

By Patrick Shanley

Managing Editor

This year’s best picture race is one of the tightest in recent memory, with frontrunners The Revenant, The Big Short, and Spotlight all jockeying for the Academy’s big prize. Some bolder predictors may even see hope for George Miller’s action epic, Mad Max: Fury Road.

In a competition this stiff it’s often a good idea to take a look back at history to try and glean out some details that may make the image clearer. One such statistic that may shed light on this year’s best pic winner lies in the history of the best screenplay categories, both adapted and original, which may spell defeat for director Alejandro G. Inarritu’s Western, The Revenant.

While the best picture Oscar generally goes to the film with the most nominations, The Revenant, which leads the field in number of nominations this year
See full article at Scott Feinberg »

Judy by the Numbers: "Dear Mr. Gable"

Anne Marie is charting Judy Garland's career through musical numbers...

In 1936, 14 year old Judy was selected to perform at Clark Gable's birthday party. Gable, the biggest MGM star at that time, was to have an all out bash. For Judy's performance, Roger Edens wrote an intro lyric to an old MGM property, "You Made Me Love You," which directed the 1917 song specifically at Gable. At the party, Judy jumped out of a cake and sang the star his song, charming not only the birthday boy, but also his boss, Louis B. Mayer.

The Movie: Broadway Melody of 1938 (MGM, 1937)

The Songwriter: James V. Monaco (music), Joseph McCarthy (lyrics), Roger Edens (new title & intro)

The Players: Eleanor Powell, Robert Taylor, Judy Garland, Clark Gable's photo, directed by Roy del Ruth

 

The Story: The result of her hit at the birthday party was that Judy Garland was cast
See full article at FilmExperience »
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