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The Broadway Melody (1929)

Passed | | Drama, Musical, Romance | 6 June 1929 (USA)
A pair of sisters from the vaudeville circuit try to make it big time on Broadway, but matters of the heart complicate the attempt.

Director:

Harry Beaumont

Writers:

Edmund Goulding (story), Sarah Y. Mason (continuity) | 2 more credits »
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Won 1 Oscar. Another 2 nominations. See more awards »

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Cast

Complete credited cast:
Charles King ... Eddie Kearns
Anita Page ... Queenie Mahoney
Bessie Love ... Hank Mahoney
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Storyline

Hank and Queenie Mahoney, a vaudeville act, come to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. Eddie was in love with Hank, but when he meets Queenie, he falls in love to her, but she is courted by Jock Warriner, a member of the New Yorker high society. It takes a while till Queenie recognizes, that she is for Jock nothing more than a toy, and it also takes a while till Hank recognizes that Eddie is in love with Queenie. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

The new wonder of the screen! See more »

Genres:

Drama | Musical | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 June 1929 (USA) See more »

Also Known As:

The Broadway Melody of 1929 See more »

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Box Office

Budget:

$379,000 (estimated)

Gross USA:

$2,808,000

Cumulative Worldwide Gross:

$1,558,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(TCM print)

Sound Mix:

Mono (Western Electric Sound System)| Silent

Color:

Black and White | Color (2-Strip Technicolor) (one sequence)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The first musical to win an Academy Award for Best Picture; however, at this time, this award was given by season, not by calendar year, so, technically, the award was for Best Picture of the 1928-1929 season, which ran from September 1928 to August 1929. Other important productions of that calendar year were released between September and December 1929, and so would have been in competition the following "season" which ran from September 1929 through August 1930. See more »

Goofs

The guitar player in the song "Broadway Melody" can not be heard playing until he tilts his guitar slightly (possibly towards the mic). See more »

Quotes

Eddie Kearns: Queenie! All grown up and everything!
Hank Mahoney: You see, that sisterly kiss won't be so hard to take now, will it?
Eddie Kearns: I'll say it won't!
[Eddie kisses Queenie]
Hank Mahoney: Take it big.
Eddie Kearns: I did!
See more »

Alternate Versions

Also released in a silent version. See more »


Soundtracks

Love Boat
(1929) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Sung by James Burrows and chorus
See more »

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User Reviews

 
Early Oft-Maligned Musical Well Worth Viewing
23 April 2005 | by dglinkSee all my reviews

MGM's "The Broadway Melody" has often been criticized and lampooned, but the film holds up better than its reputation would suggest and has historical, social, and entertainment value that merit its viewing. This musical from the early days of sound won the second Best Picture Academy award and the first that went to a sound film. While its technical accomplishments may have impressed audiences in 1929, they are important today only as they show the hurdles that faced an industry in transition. The sound is harsh, which can be expected from early recording techniques, and, like the struggling technicians comically demonstrated in "Singin' in the Rain," sound created several problems for filmmakers. The camera in "The Broadway Melody" rarely moves, most of the scenes are in long-shot or mid-shot, and occasionally characters blur when they walk out of the camera's focal range. Thus, observant viewers can spot in this movie many of the real situations that faced the studios and directors during the sound transition period in the late 1920's.

Another interesting aspect of "The Broadway Melody" is social. Like the two fliers in "Wings" from the prior year, the two sisters, who form a stage act that they are attempting to bring to Broadway, openly demonstrate affection in a manner that would raise eyebrows today. The two fliers in "Wings" kissed on the mouth, embraced, and openly showed an affection that could only be interpreted as love, although there was nothing sexual implied. Here too, the two sisters kiss on the mouth, sleep together in each other's arms, and embrace more than even two sisters would be permitted to do within current social norms. Again, there is apparently nothing sexual in their affection, only sibling love. Another changing social norm is the shifting role of gays in film, and a clip from this movie was included in "The Celluloid Closet" to illustrate the change over time. The male dresser in "The Broadway Melody" is a blatant stereotype of the sissy, and the derisive remarks and put downs that he endures from other characters would or should not be tolerated today. However, like the Stepin Fetchit characters that illustrate how African-Americans were once treated on film, the sissy depicted here is a valuable lesson in how minorities were once marginalized and derided in the movies.

However, "The Broadway Melody" is of merit not only for historical and social reasons but also for its entertainment value. While the backstage story has become familiar, the plot retains a certain dated interest and is not boring. Some of the songs are familiar from "Singin' in the Rain," where they were sung and performed as well as they ever will be. But nevertheless, hearing these familiar tunes as they were first performed is fun, even if the voices and sound are lacking all around, and the clumsy dance numbers that are often performed to these songs cry out for Busby Berkeley, although they retain a certain clunky charm. While the film is neither the classic that it should be nor the campy dud that its detractors claim, "The Broadway Melody" is definitely worth a look and makes an excellent double feature with "Singin' in the Rain" as a real example of what was spoofed in that musical classic.


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