Blackmail

A nice thriller with typical Hitch themes that remains famous thanks to a messy , complex story of attempted rape , killing in self-defense , blackmail , pursuit to death and look for Alfred's screen cameo . It is set in London , later a bitter discussion among lovers , the beautiful vendor Alice White (Amy Ondra , voice by Joan Barry) , sneaks away from her boyfriend and good-looking, efficient and impersonal Scotland Yard police , Frank Webber (John Longden) , to go out on an ill-advised date with the sleazy artist , Mr Crewe (Cyril Ritchard) . However, as the naive girl is lured into Crewe's studio, his sinister sexual advances will soon arm Alice's hand with a serrated bread knife, and before she knows it, the man lies dead in a pool of blood. As the saleswoman Alice getaways the scene of the crime in a numb haze , while the news of the unknown killer is spreading like wildfire all the way up to fiancé Frank's ears . Then Frank elides into a messy , personal story full of turns and while he attempts to keep his girlfriend from being involved .

An early talkie with script by Charles Bennett and Hitchcock himself , as usual , including a lot of sequences that remain genuinely amazing and striking . The dark atmosphere reeks with the feeling something nasty is going to happen any second . Britain's first period directed by Hitchcock who makes his ordinary small appearance on a tube train . It follows the police investigation of a murder with several twists and turns , while an invisible eyewitness will become a ruthless blackmailer . One of the first and best Alfred film to explore the ideas and themes that would become his trademarks , including climatic and memorable scenes . Future successful filmmakers Michael Powell and Ronald Neame were stills cameraman and clapper boy respectively .

The motion picture was well realized by Alfred Hitchcock , his first sound film for Great Britain . Being made as a silent movie , this was an early talkie , and still stunningly hypnotic to see today . In fact , being , nowadays ,more stimulating for its innovations in that area , and by experimenting with a peculiar narrative structure . This fine early effort by Hitch has several novelties , as the movie transcends the limitation of its mystery plot by dealing with thought-provoking issues and focusing on the theatrical meditations of reality . Here Alfred gives signs to be an expertise at tightening tension was already building up . The film belongs to Hitch's first British period when he directed silent films such as ¨The lodger¨ (1926) , ¨The ring¨(1927) , ¨Easy virtue¨ (1927) , ¨The Manxman¨(29) ; being ¨Blackmail¨(29) made as a silent , this was reworked to become a talkie . Following sound movies and early talkies as ¨Murder¨(1930 , ¨June and the Paycock¨(30) , ¨Skin Game¨(31) , ¨Rich and strange¨(32) , ¨Number 17¨(32) , ¨The man who knew too much¨(34) , ¨The 39 steps¨ (35) , ¨The secret agent¨(36) , ¨Sabotage¨(36) , ¨The lady vanishes¨(38) , ¨Jamaica Inn¨ (39) until he is hired by David O'Selznick to shoot¨Rebecca¨(40) in the US .

Alfred Hitchcock's first talkie is an intriguing film, not entirely successful but still more enjoyable than some of the other films Hitch made around this time. The story starts with a woman cheating on her boyfriend, a Scotland Yard detective. When the man she's with tries to rape her, she kills him in self-defense. Afterwards a criminal who pieces it together blackmails her and her detective boyfriend.

A little creaky but that's to be expected under the circumstances. The film started out being made as a silent before it was decided to turn it into a sound picture. In spots it reverts back to a silent (without intertitles). This actually works in the film's favor. There are some really nicely done lengthy sequences with no dialogue, such as her walk home after she's killed the guy, punctuated by a scream. Good acting all around. Nice direction from Hitch. The museum climax is excellent; an early example of the defining set pieces that would become a Hitchcock trademark. Definitely worth a look if you're a fan. Or even if you're not, provided you enjoy pictures from this period. Not everyone does, unfortunately.

Britain's first talkie, the 1929 "Blackmail," is directed by Alfred Hitchock, and even back then, it has many of his touches. The stars are Anny Ondra, Cyril Ritchard, John Longden, and Sara Allgood.

A young woman (Ondra) two-times her Scotland Yard inspector boyfriend (Longden) and goes out with an artist (Ritchard). Things get rough in his apartment, and he forces himself on her.

She kills him (a la Dial M for Murder). Her boyfriend finds her glove in the apartment and realizes she did it; the other glove was found by a criminal hanging around the artist's apartment building, and he decides to blackmail the inspector.

Hitchcock more than appears in this film; he has a bit with a little boy on a subway. The film is strange in that the beginning is silent with no title cards. Then suddenly, there is sound.

It moves quite slowly, with not much in the way of action. The story builds slowly, and the scene in the artist's apartment is quite long before anything happens.

Nevertheless, the Hitchcock touches are there. A pivotal scene happens at the British Museum - Hitchcock's upheaval in familiar places. And in the jail scene, there's a sound the director often described as being terrifying in his childhood when his father had the local police teach him a lesson - the jail door closing.

The very pretty Ondra, wife of boxer Max Schmelling, is dubbed here. Ritchard in 1929 is not recognizable as Captain Hook.

Worth seeing - it's early Hitchcock and it's an 80-year-old movie. Mind-boggling.

Saw this for the first time the other night on Turner Classic network. The movie is really is a "proto-Hitchcock" style; You could catch a glimpse of the future "Bruno" (Robert Walker, Strangers on a Train) in the blackmailer. I suppose we can discuss character development and so on, but after all it was 1929,the first British talkie, and therefore at the beginning of a whole new concept. The scenes in the artist's bedroom were certainly risqué by American standards at the time. I understand the movie initially began as a silent film and a silent version was indeed filmed. Probably every future Hitchcock twist and turn in the plot is in there and I found it quite enjoyable.

A common motif in Alfred Hitchcock's movies is the guilty woman: "Blackmail", "Psycho" and "The Birds" are all prime examples. In "Blackmail", Alice White (Anny Ondra) goes home with an artist one night and he tries to rape her. She murders him, and from then on everything reminds her of it. The jester painting appears to be looking at her (or she at it?), a billboard looks like a knife, and a woman keeps uttering the word knife. But in the end, everything blows up in Alice's face.

Hitch was certainly showing his chops here. The camera angles, scenery, and other such things all combined to make what we would expect in a Hitchcock movie. I try to imagine being a moviegoer in 1929 watching "Blackmail" for the first time, wondering what Hitchcock's subsequent work would be like.