The novice repo men, Stan and Ollie, are sent to serve a summons to a tough customer who hasn't paid for a radio, as canines, a rifle, and a steamroller threaten to put an end to their ambitions. Just how hard is it to get the job done?
Stanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly ... See full summary »
Among the horses stable hands Stanley and Oliver are tending is a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "... See full summary »
Stanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it has Oliver pressed against the ceiling.
Stanley and Oliver protest that they were only bystanders to the raid, but are hauled off to a prison labor camp anyway. They procede with their usual mayhem, Stanley getting his pick stuck... See full summary »
Jilted by his girlfriend, "Jeanie-Weenie," Oliver joins the Foreign Legion to forget, bringing Stanley along with him. They wilt under the scorching desert sun and under the harsh ... See full summary »
Big-time (so they think) vaudeville stars Stanley and Oliver take the train to Pottsville, their next booking. On board, they bumble into the wrong sleeping compartment, startling a ... See full summary »
Ollie is running for mayor when an old flame (Mae Busch) tries to blackmail him with a old photo ('just the same old apple-cheeked boy'). Stan's attempts to help Ollie keep the blackmailer ... See full summary »
On their way to the train station with their wives for a vacation in Atlantic City, Stanley and Oliver get a phone call from a fellow lodge member who tells them a surprise stag party in ... See full summary »
Stan & Ollie find work as debt collectors. Their first assignment is to collect a late payment on a radio set. The owner refuses to pay the debt, so Stan & Ollie decide to reclaim the set. The owner will not let the duo in to reclaim the radio, and a fight breaks out as Stan & Ollie try to break in while the owner tries his hardest to keep them out.Written by
Bacon Grabbers was in production just as movies were beginning to be recorded with sound. Hal Roach saw that sound was the wave of the future, and although the studio had not yet perfected voice recording, this picture originally had sound effects and some music, although no dialog. See more »
This was the 25th short as a team. I'm only now dipping into Laurel and Hardy in a serious way, but the whole 20 year collaboration seems to be based on two things: the comedy of destruction, and a sort of flummoxed humiliation.
We laugh at both, but it is the destruction (or sometimes a chase) that makes the best stories for these guys.
We see a door and we know they will do everything to that door that they can imagine. All the comic possibilities are exhausted. We see a ladder and know that clever minds will invent dozens of gags to surround it.
If there is a radio involved, and we know that each event increases the value of the thing, that it will be destroyed.
This was made the same year as "Big Business: which was the high point of the destructive model. Nothing so extreme here, but you can see how they think.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
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