7.4/10
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Arsenal (1929)

Not Rated | | Drama, War | 9 November 1929 (USA)
Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides ... See full summary »
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Cast

Cast overview:
Semyon Svashenko ... Timosh, the Ukrainian (as S. Svashenko)
Georgi Khorkov ... A Red Army Soldier (as G. Khorkov)
Amvrosi Buchma ... Laughing-Gassed German Soldier (as A. Buchma)
Dmitri Erdman ... A German Officer (as D. Erdman)
... A German Soldier (as S. Petrov)
M. Mikhajlovsky ... A Nationalist (as Mikhajlovsky)
Aleksandr Evdakov ... Tsar Nikolas II (as A. Evdakov)
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Storyline

Set in the bleak aftermath and devastation of the World War I, a recently demobbed soldier, Timosh, returns to his hometown Kiev, after having survived a train wreck. His arrival coincides with a national celebration of Ukrainian freedom, but the festivities are not to last as a disenchanted. Written by Mr Bongo

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

|

Release Date:

9 November 1929 (USA)  »

Also Known As:

Arsenaal  »

Company Credits

Production Co:

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Technical Specs

Runtime:

(Copy with French subtitles at Brussels Musée du Cinéma)

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

In a scene early in the film, a soldier lies dead, covered with sand, but the sand can be seen to rise and fall with the actor's breathing. See more »

Connections

Edited into Le tombeau d'Alexandre (1993) See more »

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User Reviews

 
Kinetic, shocking, moving.
21 January 2004 | by See all my reviews

A group of Ukranian soldiers return from World War One to more fighting in the Communist Revolution.

This is an extraordinary, kinetic and moving piece of film making, full of metaphor and of great relevance for people throughout the world today. It isn't necessary to understand the complexities of the times to understand the rich emotional resonance. Particularly innovative is Dovzhenko's use of rhythm and inter-spliced scenes.

I was lucky enough to see a restored version of this at the Cambridge Film Festival 2003, with live musical accompaniment. Particularly memorable scenes are the undefeatable worker, the laughing gas, and the horse team rushing to take a fallen comrade to burial before returning to battle.


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