The novice repo men, Stan and Ollie, are sent to serve a summons to a tough customer who hasn't paid for a radio, as canines, a rifle, and a steamroller threaten to put an end to their ambitions. Just how hard is it to get the job done?
Stanley and Oliver, in their new jobs as footman and doorman at a ritzy hotel, wreak their usual havoc on the guests, including partially undressing a swanky blonde guest and repeatedly ... See full summary »
Among the horses stable hands Stanley and Oliver are tending is a thoroughbred named "Blue Boy." But when they overhear two men talking about a $5000 reward for the return of the stolen "... See full summary »
Stanley and Oliver protest that they were only bystanders to the raid, but are hauled off to a prison labor camp anyway. They procede with their usual mayhem, Stanley getting his pick stuck... See full summary »
Fight manager (Hardy) takes out an insurance policy on his puny pugilist (Laurel) and then proceeds to try to arrange for an accident so that he can collect. When a pie delivery man (Hall) ... See full summary »
Stanley's attempts to treat Oliver's cold include dropping a swab down his friend's throat, applying a mustard plaster to his rump, and inflating the air mattress from the gas jet until it has Oliver pressed against the ceiling.
Stanley and Oliver, two sailors on shore leave, rent a car and go on a drive with their dates, but soon get involved in a huge traffic jam with dozens of ill-tempered motorists. A minor ... See full summary »
Big-time (so they think) vaudeville stars Stanley and Oliver take the train to Pottsville, their next booking. On board, they bumble into the wrong sleeping compartment, startling a ... See full summary »
Mercantile owner Mr. Caribeau believes that his favorite goat, Penelope, who is tied up outside his store, has been stolen. In reality, Penelope escaped on her own doing. Penelope ends up in the possession of Stan and Ollie, who learn that she is believed to have been stolen but who Penelope won't leave alone regardless. So Stan and Ollie decide to take Penelope home to their room at the hotel apartment. Keeping her in their room may be a problem as they sneak her in in the middle of the night and as their room is right above the bedroom of their strict landlord. She being in their room leads to one misadventure after another for Stan, Ollie, the landlord and another tenant. But the fact of the police still believing Penelope to be stolen may put an end to Penelope's association with Stan, Ollie and the rest of the people in the building... that is unless Penelope has other ideas.Written by
It was remade two years later as Laughing Gravy with the goat being replaced by a dog. See more »
[At Stan & Ollie's doorway]
I want you guys to know this is a respectable hotel!
[Behind him, in the hallway, walks a lady of the evening followed by a sailor]
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The available print has been composed from material lifted from different sources. The opening MGM credits are not the originals but a recreation using the ones from "Big Business" changing the title and certain names. Most of the film itself was lifted from elements used in a Robert Youngson compilation and for this reason the quality of the images notably switches from excellent to terrible, since the rest of the film was probably lifted from worn 16mm prints. See more »
Stan & Ollie (& Penelope the goat) bid farewell to the silent era
Although the title suggests an examination of the twisted obsessions of Ed Wood Jr., 'Angora Love' is in fact a Laurel & Hardy comedy, a diverting short which offers a heart-warming tale of two guys and the goat who refuses to leave them alone. Much of the humor revolves around the boys' efforts to hide the goat, Penelope by name, from their grouchy, goat-hating landlord, Edgar Kennedy, who gives one of his definitive grouch performances here. Apparently the premise held some special significance for Stan & Ollie, for they reworked it twice more with sound, first in the 1931 short Laughing Gravy, in which several of the gags from this film are re-enacted, and then just a year later in The Chimp, which borrows only the basic premise.
Angora Love, which was made in the spring of 1929 but not released until December of that year, was the last silent film made by Laurel & Hardy. It was originally accompanied by a music-and-effects track, but, contrary to an earlier post, there was never dialog on the soundtrack.
One of the best sequences occurs at the beginning, when the guys and the goat "meet cute." Penelope, having been fed a dough-nut by Stan, fixates on him and refuses to go away. Obviously, she wants more. The boys' attempt to give her the slip is funny and also rather poignant, at least from the goat's point of view. Cinematographer George Stevens helpfully offers us a tracking shot filmed from the goat's subjective P.O.V., or, as we might call it today, GoatCam. Once the trio is holed up in the boys' apartment the atmosphere gets somewhat claustrophobic, but the gags keep on coming. There's some silliness involving Stan's aerobics work-out, and a painful routine in which Ollie repeatedly steps on a tack. There's also an elaborately messy attempt to wash Penelope, and a sequence involving foot-rubbing which, despite the guys' innocent personalities, might strike some viewers as suggestively homo-erotic, or in any event kind of weird. There's also a quick throwaway gag involving a sailor and a prostitute that never would have gotten past the censors a few years later; it's understated but unmistakable, and not typical of Laurel & Hardy, but amusing in a raffish way.
In a sense it might have been more appropriate if Stan & Ollie had concluded their silent movie career on a spectacular note, perhaps with one of those rousing, garment-ripping riots that seemed to erupt so frequently in Culver City at the time. Still, while Angora Love is not one of the team's liveliest silent comedies, it did serve as a useful prototype for two of their talkies, and is plenty amusing in its own right.
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