In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the ...
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Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took ... See full summary »
The refined Lady Isabel Carlisle, after leaving her family and enduring nearly a decade of hardships, learns that her son has fallen ill. Despite being nearly blinded as the result of an explosion, she returns home to see her son again.
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
The story takes place in Milwaukee during the early 1900s with a bank clerk named August Schiller who is happy with both his job and his family. He is tasked with transporting $1,000 in ... See full summary »
In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the king's acts, he feels that he must remove him from the throne.
Although this film is presumed lost, excerpts do survive, including a trailer, which is one of the 50 films in the 3-disk boxed DVD set called "More Treasures from American Film Archives, 1894-1931" (2004), compiled by the National Film Preservation Foundation from 5 American film archives. It is preserved by the UCLA Film and Television Archive and has a running time of 3 minutes. See more »
I can only agree with what has already been said in this forum, for heaven's sake save this copy before it's too late, it's an invaluable piece of film history! The last piece in a longer story of artistic struggles between the actor and the two directors Sternheim and Lubitsch. Both films complement each other, The Patriot being Lubitsch' and Jannings' artistic reply to the predecessor. Just look at the difference in Janning's acting styles in the two films. From what I've read it was also the final nail in the silent film coffin, and Jannings, with the first ever Oscar in his hands, left for Germany, and ended up with a ban on working by the Allies after WW2.
(And may I say that it only costs coppers to digitise it, but that's not really the argument here)
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