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The Passion of Joan of Arc (1928)

La passion de Jeanne d'Arc (original title)
Not Rated | | Biography, Drama, History | 25 October 1928 (France)
In 1431, Jeanne d'Arc is placed on trial on charges of heresy. The ecclesiastical jurists attempt to force Jeanne to recant her claims of holy visions.

Director:

Carl Theodor Dreyer (as Carl Th. Dreyer)
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Cast

Complete credited cast:
Maria Falconetti ... Jeanne d'Arc (as Melle Falconetti)
Eugene Silvain Eugene Silvain ... Évêque Pierre Cauchon (Bishop Pierre Cauchon) (as Eugène Silvain)
André Berley André Berley ... Jean d'Estivet
Maurice Schutz ... Nicolas Loyseleur
Antonin Artaud ... Jean Massieu
Michel Simon ... Jean Lemaître
Jean d'Yd Jean d'Yd ... Guillaume Evrard
Louis Ravet Louis Ravet ... Jean Beaupère (as Ravet)
Armand Lurville Armand Lurville ... Juge (Judge) (as André Lurville)
Jacques Arnna Jacques Arnna ... Juge (Judge)
Alexandre Mihalesco Alexandre Mihalesco ... Juge (Judge)
Léon Larive Léon Larive ... Juge (Judge)
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Storyline

The sufferings of a martyr, Jeanne D'Arc (1412-1431). Jeanne appears in court where Cauchon questions her and d'Estivet spits on her. She predicts her rescue, is taken to her cell, and judges forge evidence against her. In her cell, priests interrogate her and judges deny her the Mass. Threatened first in a torture chamber and then offered communion if she will recant, she refuses. At a cemetery, in front of a crowd, a priest and supporters urge her to recant; she does, and Cauchon announces her sentence. In her cell, she explains her change of mind and receives communion. In the courtyard at Rouen castle, she burns at the stake; the soldiers turn on the protesting crowd. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Mlle. FALCONETTI The World's Most Outstanding Screen Artist See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

25 October 1928 (France) See more »

Also Known As:

The Passion of Joan of Arc See more »

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Box Office

Opening Weekend USA:

$6,408, 26 November 2017, Limited Release

Gross USA:

$21,877, 7 December 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1952 re-release) | (restored DVD) | (DVD) | (Blu-ray)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The film was considered lost for many years. In 1978 an almost complete print was found in the estate of an Italian priest who had organized screenings in mental hospitals. The same is true of Der brennende Acker (1922). See more »

Goofs

In the 15th century, a priest can be seen wearing a Jesuit robe. The Jesuit order was founded in the 16th century. See more »

Quotes

Jeanne d'Arc: To save France - it's why I was born.
See more »

Connections

Featured in 100 Years of Horror: Witches (1996) See more »

Soundtracks

Voices of Light
Written by Richard Einhorn
The score used in the 1995 version
See more »

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User Reviews

Sensory Shift
16 September 2004 | by checynSee all my reviews

This film almost leads one to believe that sound betrays the emotion the eyes capture. Just as the blind develop hearing far better than the average, the deaf develop a keen sense of sight. I am convinced that a lack of dialogue forces us to read the language of the face and body, a verbage unmatched in beauty and nuance. Though the accompanying musical piece (be careful not to identify it as a score), so deliciously inspired by the film, enhances the visual playground; it is the actors' faces that comprise this tour de force. Ms. Falconetti shifts from worry and doubt to unabashed conviction in a single shot, giving the viewer the luck of seeing one's thoughts in progress. She needs no response to the interrogation, it's all in her face. Renee is not superficially beautiful and the lack of make-up only reinforces how bare Joan is, but it is the uncanny ability of an incomparable stage actor to be a window into the soul that makes her so stunning, for the soul we see is one we only wish to attain for ourselves. The Church sees what we see, and they respond just as clearly to her unspoken protest with vehement pomp. The cinematography is so astounding for its time no comment could ever do it justice. Though many comments can be made, and are, surrounding the inspiration and detail for the set, it is at its core an incredible gift from Dreyer to the actors meant to inspire. It plays little part in the film, but to pull an inconceivable last drop of reality from the actors. A testament I can imagine will never be matched to the incredible power of silence.


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