Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
Wealthy Brice Wayne enters West Point and, though he does well on the football field, angers fellow cadets with his arrogance. Disciplined by the coach he yells "To hell with the Corps!" ... See full summary »
Diana is outwardly the hit of the party but inwardly virtuous and idealistic. Her friend Ann is thoroughly selfish and amoral. Both are attracted to Ben Blaine, soon-to-be millionaire. He takes Diana's flirtations with other boys as a sign of disinterest in him and marries Ann. Big mistake.Written by
Ed Stephan <email@example.com>
I Loved You Then (As I Love You Now)
Music by William Axt and David Mendoza
Lyrics by Ballard MacDonald
Played during the opening credits and as background music often
Sung by an offscreen chorus at the party and danced to by the guests
Sung offscreen often by both a male solist and a female solist and as a duet See more »
Wealthy and flashy Diana falls hard for Ben Blaine--who unjustly interprets her vivacity as looseness and in turn falls hard for prim and proper Anne--who is in fact a vicious gold digger with a heart of stone. Will Ben ever see through Anne's facade and realize Diana's true worth? Directed by Harry Beaumont with sets by the legendary Cederick Gibbons, OUR DANCING DAUGHTERS was bright, sharp, pretty to look at, and just sexy enough to make the censors fume--the type of film that MGM seemed to produce by the bushel during the late silent era. The studio expected it to perform well, but there was no reason for anyone to think it would generate more than passing interest, much less a legendary star. But it did.
Born in 1904, Lucille Le Sueur endured a hardknocks childhood to become a popular chorus girl in New York night spots before signing with MGM in 1925--and renamed Joan Crawford she churned out some two dozen films in three years without setting the world on fire. Until, that is, MGM allowed her dance on table tops and despair of winning her true love in this slickly produced, well acted, but essentially formula melodrama. And even today it is still possible to see what all the fuss was about: not only was she bursting with youthful energy and appeal, it was the first film in which Joan Crawford really LOOKED like Joan Crawford, and although still limited her acting chops weren't half bad either.
The overall cast is particularly strong, with Anita Page turning in a memorable performance as the pretty but wicked Anne and Dorothy Sebastian as Bea, a good girl with a few missed steps in her past; male leads Johnny Mack Brown, Nils Aster, and Edward J. Nugent provide solid support as various love interests; and Kathlyn Williams proves memorable as Anne's manipulative mother. While OUR DANCING DAUGHTERS will never rival the truly great films of the late silent era, it is still a lot of fun, and those who want to see Crawford's first cinematic hurrah will not be disappointed.
GFT, Amazon Reviewer
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