3 user 9 critic

Crossroads (1928)

Jûjiro (original title)
After falling in love with a courtesan, Rikiya is blinded by ash during a fight in a brothel. Believing the blindness permanent and his opponent dead, Rikiya goes back home to his sister. ... See full summary »


Teinosuke Kinugasa


Teinosuke Kinugasa (original story), Teinosuke Kinugasa (script)




Cast overview:
Akiko Chihaya Akiko Chihaya ... Elder sister Okiku
Junosuke Bandô Junosuke Bandô ... Younger brother Rikiya
Yukiko Ogawa Yukiko Ogawa ... Yada no Onna
Ippei Sôma Ippei Sôma ... Man with truncheon
Yoshie Nakagawa Yoshie Nakagawa ... Old lady who trades woman
Misao Seki Misao Seki ... Old man renting second floor
Teruko Sanjô Teruko Sanjô ... Mistaken women
Keinosuke Sawada Keinosuke Sawada ... Man looking for a fight (as Myoichiro Ozawa)


After falling in love with a courtesan, Rikiya is blinded by ash during a fight in a brothel. Believing the blindness permanent and his opponent dead, Rikiya goes back home to his sister. Okiku, desperate to protect her brother who thinks himself a murderer, wants to sacrifice herself for him and become a prostitute to pay for Rikiya's treatment. Written by Anonymous

Plot Summary | Add Synopsis




Did You Know?


In the top 10 of Kinema Junpo's Top Japanese Movies of 1928. See more »


Referenced in Century of Cinema: 100 Years of Japanese Cinema (1995) See more »

User Reviews

Director at crossroads.
2 April 2020 | by topitimo-829-270459See all my reviews

Kinugasa Teinosuke had started his directorial career in 1922, having first worked as an "onnagata", actor who specialized in female roles. After women were allowed to act on stage and in films - good decision by the way - Kinugasa moved behind the camera. Not much of his early works survive, but happily his two most famous silent pictures have done so. Kinugasa's first masterwork was the low-budget existential horror drama "Kurutta ippeji" (A Page of Madness, 1926). The film was critically acclaimed but not exactly a crowd-pleaser. Kinugasa followed it with "Jujiro" (Crossroads, 1928), a film that has a fitting English title. In his later years Kinugasa moved away from his early, experimental style to more traditional jidei-geki films. Though often good, they weren't as continuously exciting pieces of film-making, and one sometimes wishes that Kinugasa had remained this interesting an artist throughout his long career.

"Jujiro" tells a more traditional story than "Kurutta ippeji" but supports it with strong, nightmarish visuals. In this period film, Rikiya (Bando Junosuke) gets in a fight upon visiting a brother. He gets blind and believes that he has killed the other man. Rikiya gets a panic attack and escapes home to his sister Okiku (Chihaya Akiko). In order to save her brother who has committed a horrible crime, Okiku sacrifices herself and becomes a prostitute. This narrative is very typical for Japanese period films. What I liked best was that Kinugasa presents this scenario in a horrifying light. Or actually he presents it claustrophobic darkness. So many other directors, even good ones, treated narratives like this as pure melodrama. The audience is supposed to feel sad, but also acknowledge that this is how it sometimes goes. "Jujiro" is un-apologetically dark, a near-surreal trip into distant centuries.

The visuals and camera angles are constantly wonderful. Kinugasa manages to cram in so many wonderful shots, that the story-line is forced to take a secondary role in the viewing experience. And that's not a bad thing. Both lead actors were really good, with very expressive faces. As a movie, this is not as compact as "Kurutta ippeji", nor is it as experimental or historically important. But compare it to any other Japanese silent film from the 1920's, and it definitely appears as a visionary work by a talented director.

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None | Japanese

Release Date:

11 May 1928 (Japan) See more »

Also Known As:

Crossways See more »

Company Credits

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Technical Specs


| | (1975 sound) | (DVD)

Sound Mix:


Aspect Ratio:

1.37 : 1
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