Patsy Brand is a chorus girl at the Pleasure Garden music hall. She meets Jill Cheyne who is down on her luck and gets her a job as a dancer. Jill is engaged to adventurer Hugh Fielding and... See full summary »
Farmer Sweetland is a lonely old widower. He is determined to marry again and he enlists the help of his housekeeper Minta to pick a wife from the local single women.Written by
Col Needham <firstname.lastname@example.org>
According to Sir Alfred Hitchcock in the famous interview held in 1966 by François Truffaut, the play by Eden Phillpotts, on which this movie was based, was reached to stage one thousand four hundred times in London. See more »
When Farmer Sweetland and Minta are embracing, Sweetland's hands are all the way around her in one shot then just on her arm in the next shot. See more »
The first half is rather slow, but keep going - it's definitely worth it. The humour in Hitchcock's films is generally based around great character actors (e.g. Jessie Royce Landis in To Catch a Thief and North by NorthWest), and here not one of the actors disappoints. Lillian Hall Davis has a better part in the Ring (also 1928 - Gordon Harker is again very amusing in it too), but is lovely in this film. Sound would have added nothing. My 8-year old daughter was apprehensive about watching a silent film, but once things started to get going in the second half, was hooked.
Hitchcock referred to it in later years as one of his "photographed plays", but the action occurs in several locations, so is nowhere near as constrained as many of his films (plays or not). In fact, even though the location shots are few and far between, they really give this film a non-studio feel.
All of Hitchcock's films are notable for their visual storytelling (look at the initial scene-setting in Rear Window that speaks volumes without a single word being uttered), and it is interesting to see the origins of this, and the great influence of German Expressionism.
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