A traveller arrives at the Usher mansion to find that the sibling inhabitants, Roderick and Madeline Usher, are living under a mysterious family curse: Roderick's senses have become ...
See full summary »
Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death.
A couple is brutally murdered in the working-class district of Paris. Later on, the narrative follows the lives of their two daughters, both in love with a Parisian thug and leading them to separate ways.
In 1918 a simple Mongolian herdsman escapes to the hills after brawling with a western capitalist fur trader who cheats him. In 1920 he helps the partisans fight for the Soviets against the... See full summary »
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead),... See full summary »
A traveller arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a ... See full summary »
A traveller arrives at the Usher mansion to find that the sibling inhabitants, Roderick and Madeline Usher, are living under a mysterious family curse: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. As the visitor's stay at the mansion continues, the effects of the curse reach their terrifying climax.Written by
Jean-Marc Rocher <email@example.com>
The Fall of the House of Usher has suffered a rather bad fate as a film, due to numerous problems.
Not due to the fact that it's a bad film, on the contrary, but due to it's name. In the same year there was also a french full-length with the same name by Jean Epstein. And there are countless other recreations of this of the Fall in the House of Usher story.
This film succeeds as a silent short expressed mostly through visuals and mood. It's not so much horror as it as an excuse to show surrealist images of words floating, off camera angles and general dillusion.
The only thing that may put people off about this short is that it's clearly more about lush enchanting visuals then it is as a good representation on the Edgar Allan Poe piece.
This is a fine silent short, and is highly recommended to fans of early silent expressionist cinema.
8 of 8 people found this review helpful.
Was this review helpful to you?
| Report this