Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small... See full summary »
The Tramp finds himself at a circus where he is promptly chased around by the police who think he is a pickpocket. Running into the Bigtop, he is an accidental sensation with his hilarious efforts to elude the police. The circus owner immediately hires him, but discovers that the Tramp cannot be funny on purpose, so he takes advantage of the situation by making the Tramp a janitor who just happens to always be in the Bigtop at showtime. Unaware of this exploitation, the Tramp falls for the owner's lovely acrobatic stepdaughter, who is abused by her father. His chances seem good, until a dashing rival comes in and Charlie feels he has to compete with him.Written by
Kenneth Chisholm <firstname.lastname@example.org>
Charles Chaplin wanted to include a scene involving a flea circus, but he couldn't justify putting it into the plot. It later resurfaced in Limelight (1952). See more »
While the Tramp is locked into the cage, the lion is lying with his head some distance from the side wall in most shots until he gets up. But in one close-up shot just after the Tramp caught the water tray, the lion's head is suddenly right next to that wall. See more »
Chaplin replaced the original credits of this film when he reissued it in 1969. In their place there is an opening scene featuring Merna Kennedy on the trapeze while Chaplin sings a song, then the image fade to the credits of that version with no cast nor technical credits. See more »
I enjoyed this a lot more the second time when I could see it on a very clear DVD print. I don't know why that would make a difference with the story, but it did as I found it very good for the entire distance, although that's just a scant 69 minutes.
In the story, Charlie Chaplin does his normally-great physical slapstick so well that he accidentally becomes a hit at the circus, which is run by a nasty man (Allan Garcia) who regularly beats his sweet step-daughter, played by a very pretty Merna Kennedy. Charlie, of course, gets smitten by her and comes to her rescue.
This movie has a different kind of ending that what you'd normally see for a comedy but it's inspiring as Chaplin performs a noble deed. (However, Kennedy's character is in question as she seems satisfied to marry either of two men. Huh?)
Chaplin's timing and clever slapstick routines never fail to amaze me. Even though silent films aren't seen by many people these days, it's works of art like this that will endure forever. This is not of one of Chaplin's more famous movies.....but it should be. I think it's one of his best.
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