The Tramp finds himself at a circus where he is promptly chased around by the police who think he is a pickpocket. Running into the Bigtop, he is an accidental sensation with his hilarious efforts to elude the police. The circus owner immediately hires him, but discovers that the Tramp cannot be funny on purpose, so he takes advantage of the situation by making the Tramp a janitor who just happens to always be in the Bigtop at showtime. Unaware of this exploitation, the Tramp falls for the owner's lovely acrobatic stepdaughter, who is abused by her father. His chances seem good, until a dashing rival comes in and Charlie feels he has to compete with him.Written by
Kenneth Chisholm <email@example.com>
Chaplin replaced the original credits of this film when he reissued it in 1969. In their place there is an opening scene featuring Merna Kennedy on the trapeze while Chaplin sings a song, then the image fade to the credits of that version with no cast nor technical credits. See more »
Do not be mislead by the ne'er do wells who claim this movie as Chaplin's weakest.
The plot is not intricate, but Charlie doesn't need an intricate plot to make us laugh out loud. "The Circus" proves this.
Saying that this film is boring is perfectly ridiculous: there are many moments of pure Chaplin genius and, if nothing else, you simply must see this film for the tightrope-walking scene. No, it's not trick photography: that's really Charlie tightrope walking with no stuntmen of any kind. If THAT'S not exciting, I don't know what is.
Oh, and just as a side note, this film was made during a time when Charlie was going through a very dirty and very public divorce-- his ex successful at having his funds frozen during the divorce, he was sued for a million in back-taxes and faced possible jail time, AND the ENTIRE SET to the circus burned down in a fire.
He most definitely deserved the special Oscar he received for this film. That's right: OSCAR.
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