7.4/10
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La chute de la maison Usher (1928)

Not Rated | | Horror | 5 October 1928 (France)
Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death.

Director:

Jean Epstein

Writers:

Edgar Allan Poe (short story), Luis Buñuel (adaptation) | 1 more credit »
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Cast

Credited cast:
Jean Debucourt ... Sir Roderick Usher
Marguerite Gance Marguerite Gance ... Madeleine Usher
Charles Lamy Charles Lamy ... Allan - the Guest
Fournez-Goffard Fournez-Goffard ... The Doctor
Luc Dartagnan Luc Dartagnan ... Bar costumer
Rest of cast listed alphabetically:
Abel Gance ... Bar costumer
Halma Halma ... Bar Waiter
Pierre Hot Pierre Hot ... Bar costumer
Pierre Kefer Pierre Kefer ... Bar costumer
Edit

Storyline

Allan has a hard time finding the Usher's house, which is known to be cursed... But he is a personal friend of Roderick Usher, who lives with his sick wife Madeline and a doctor. Roderick is painting a portrait of Madeline, but every pose exhausts her. Allan worries more and more... Written by Yepok

Plot Summary | Add Synopsis

Genres:

Horror

Certificate:

Not Rated
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Details

Country:

France

Language:

French

Release Date:

5 October 1928 (France) See more »

Also Known As:

La caída de la casa Usher See more »

Company Credits

Production Co:

Films Jean Epstein See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list. See more »

Connections

Version of The Fall of the House of Usher (1928) See more »

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User Reviews

Medieval Gloom
8 November 2005 | by LechuguillaSee all my reviews

Predictably morbid and grim, this early cinematic tribute to Poe offers some interesting images and beautifully haunting music. I liked the sequence showing the lace-draped coffin, as it was carried out of that cavernous room.

More stylistic than substantive, the overall effect of the film is to engender a sense of suffocating gloom, rather than to tell an interesting story. It's very much like what one would expect in a nightmare. Space seems strung-out. People are not quite real. Pacing is so slow as to render time suspended between two swings of the clock pendulum.

I don't recall a film that conveyed such an overwhelming sense of introverted bleakness, oppression, and ubiquitous death. Even the trees were dead.

A lot of viewers will find this film lifeless ... so to speak. But for those interested in the antiquity of the occult, or Poe in particular, this film will excite like no other.


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