A Boceta de Pandora (1929)

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Director:

Georg Wilhelm Pabst

Writers:

Frank Wedekind (plays), Ladislaus Vajda (scenario)

Stars:

Louise Brooks, Fritz Kortner, Francis Lederer

1 nomination.

Cast

Complete credited cast:
Louise Brooks	...	Lulu
Fritz Kortner	...	Dr. Ludwig Schön
Francis Lederer	...	Alwa Schön (as Franz Lederer)
Carl Goetz	...	Schigolch
Krafft-Raschig	...	Rodrigo Quast
Alice Roberts	...	Gräfin Geschwitz - Countess Anna Geschwitz
Daisy D'Ora	...	Charlotte Marie Adelaide v. Zarnikow - braut Dr. Schöns - Dr. Schön's Bride (as Daisy d'Ora)
Gustav Diessl	...	Jack the Ripper (as Gustav Diesel)
Michael von Newlinsky	...	Marquis Casti-Piani (as Michael v. Newlinsky)
Sig Arno	...	Der inspizient - the Stage Manager (as Siegfried Arno)

Storyline

Lulu is a beautiful young woman who can seemingly work her charms on all of the men around her. She is currently being kept by the rich editor Dr. Ludwig Schön. She is just a plaything however and he is engaged to be married to Charlotte, a woman of his own class. He arranges for Lulu to appear in his son Alwa's musical revue and he too falls for all of her charms. When Dr. Schön and his fiancée go to the theater, Lulu ensures that he is put in a compromising situation and the elder Schön feels he now must marry her, knowing full well it will ruin his reputation. On his wedding day, Dr. Schön reaches his breaking point. His actions cost him his life however and Lulu is convicted of manslaughter. She escapes with the help of her old cronies but together they begin a downward spiral.

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Plot Keywords:

femme fatale | german expressionism | expressionism | lust | murder trial | 

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Genres:

Crime | Drama | Romance

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Certificate:

M/12

Details

Country:

Germany

Language:

German

Release Date:

7 April 1930 (Portugal)

Also Known As:

A Boceta de Pandora

Filming Locations:

Nero-Film Studio, Berlin, Germany

Box Office

Opening Weekend USA:

$9,950, 18 June 2006

Gross USA:

$53,485

Cumulative Worldwide Gross:

$62,686

Company Credits

Production Co:

Nero-Film AG

Technical Specs

Runtime:

133 min (restored) 152 min (Copy with French titles at Brussels Musée du Cinéma) 131 min (original) 110 min (video) 135 min (2018) (restored)

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

Louise Brooks lived in Rochester, NY in her later years where the Eastman museum preserved her silent films.

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Goofs

[All goofs for this title are spoilers.]

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Quotes

Schigolch: I'd be a real scoundrel if I didn't lay a rose on my little Lulu's bridal bed!

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Alternate Versions

A 133-minute version, distributed by Janus Films from Film Museum München, was broadcast in America on the IFC channel in 2006. It has an unidentified orchestral score, including a 2-minute overture at the start, and it listed the credits in German, some of which were translated into English. With German inter-titles and English subtitles. This version was released on a British Region 2 DVD).

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Connections

Featured in As Taras de Tara: Aftermath (2009)

User Reviews

Downbeat But Engrossing, Sordid Yet Artistic

This feature has quite an unusual feel to it - generally downbeat, but engrossing, and filled with sordid characters and settings, yet somehow artistic. Moreover, it's not downbeat or sordid in the pretentious, empty way that characterizes so many recent movies. Rather, despite portraying its characters in a largely unfavorable light, it neither exploits them nor glorifies them. These persons are shown simply to be what they are, and while there is a certain inevitability about many of the things that befall them, there is a thoughtfulness as well. You would not want to be like, or perhaps even meet, most of these characters, and yet you want to wish them better luck.

Louise Brooks gets most of the attention (both in the movie itself and from those who discuss it). The "Pandora's Box" image for her character is appropriate, in that Lulu is never ill-intentioned nor malicious, and yet she often puts the other characters in difficult situations, just by being who she is and acting naturally. All of the other significant characters are defined largely in terms of their responses to her and relationships with her, and all of the characters (including Lulu) have very evident faults and make some very preventable blunders. The result is an unusual and very interesting movie. Director G.W. Pabst deserves the credit most of all for creating the atmosphere, putting everything together, and making it work so well.