After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal ...
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Joe May's sensual drama of life in the Berlin underworld is in many ways the perfect summation of German filmmaking in the silent era: a dazzling visual style, a psychological approach to ... See full summary »
After killing her treacherous step-father, a girl tries to escape the country with a young vagabond. She dresses as a boy, they hop freight trains, quarrel with a group of hobos, and steal a car in their attempt to escape the police, and reach Canada.Written by
Kevin Coughlin <email@example.com>
Thanks to a few lines of dialog being added to the music/special effects track (similar to Warners' The Jazz Singer (1927)), this was Paramount's first feature with spoken words. The studio's first all-talking feature, Interference (1928), would be released at the end of 1928. Wallace Beery's bawdy song as he walks down the street was shot post-production and became Paramount's first-ever dialogue. Neither director William A. Wellman nor producer David O. Selznick liked the idea. See more »
On the movie's title card the order of the star cast names is as follows: Wallace Beery, Richard Arlen, Louise Brooks. In the cast list the order is: Wallace Beery, Louise Brooks, Richard Arlen. See more »
Luminous Brooks shines in her best "serious" American film role
While she is known primarily for her work for G.W. Pabst in the German films Pandora's Box and Diary of a Lost Girl, Louise Brooks is phenomenal in William Wellman's movie of a young girl on the run after she murders her sexually abusive guardian. The opening scene, in which the murder takes place, is gorgeously imagistic and ranks (for me) as one of the most indelible moments in all of cinema. Richard Arlen and Wallace Beery are very good in their roles, but the movie belongs to Brooks, whose ability to underplay in the silent era -- when mugging and exaggeration were more the rule than the exception -- makes her seem ultra-contemporary. It is little wonder Brooks has such resonance with modern audiences.
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