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The Barn Dance (1929)

Mickey comes in his horse and buggy to pick up Minnie for the barn dance, but he's aced out by his rival, Pete, with a car, until the car breaks down. At the dance hall, Mickey dances on ... See full summary »

Director:

Walt Disney (uncredited)

Star:

Walt Disney
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Cast

Uncredited cast:
Walt Disney ... Mickey Mouse / Minnie Mouse / Parrot / Peg-Leg Pete (voice) (uncredited)
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Storyline

Mickey comes in his horse and buggy to pick up Minnie for the barn dance, but he's aced out by his rival, Pete, with a car, until the car breaks down. At the dance hall, Mickey dances on Minnie's feet. She rejects him to dance with Pete, until Mickey puts a helium balloon in his pants, thus making him light on his feet. Pete figures it out, punctures the balloon, and takes over, making this a rare cartoon where Pete wins. Written by Jon Reeves <jreeves@imdb.com>

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Details

Country:

USA

Language:

English

Release Date:

14 March 1929 (USA) See more »

Also Known As:

Danse fermière See more »

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Box Office

Budget:

$5,121 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Cinephone)
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Did You Know?

Trivia

It's the forth animation film with Mickey Mouse. See more »

Alternate Versions

Also available in a computer-colorized version. See more »

Connections

Referenced in Hittin' the Trail for Hallelujah Land (1931) See more »

Soundtracks

Pop Goes the Weasel
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User Reviews

 
Mister Mouse Should Have Stayed In His House
20 January 2003 | by Ron OliverSee all my reviews

A Walt Disney MICKEY MOUSE Cartoon.

Mickey & Pete both vie for fickle Minnie's attentions at THE BARN DANCE.

This humorous little black & white film is propelled largely by the soundtrack; music mavens will recognize 'The Old Grey Mare,' 'Mendelssohn's Spring Song' & 'Pop! Goes The Weasel' among the tunes played. This very early Mouse cartoon shows one of the rare instances in which Mickey loses to Pete in the game of romance.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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