Jeanne Eagels plays the bored and restless Leslie Crosbie who turns to another man, Geoffrey Hammond (Herbert Marshall) for attention when neglected by her husband Robert (Reginald Owen). ... See full summary »
Jean de Limur
After killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law, under a false name intending to protect his own family's honor. But when the news of his ... See full summary »
William K. Howard
Johnny Mack Brown
In 18th-Century Russia, the Czar, Paul, is surrounded by murderous plots and trusts only Count Pahlen. Pahlen wishes to protect his friend, the mad king, but because of the horror of the ... See full summary »
Pete Smith, a lift bridge operator in a harbor, feels lonely in his cabin, his only visitor being a policeman on patrol, Sgt. Coughlin. One night, after hearing shots, Smith gives shelter ... See full summary »
Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took ... See full summary »
Didn't think I would like this one as much as I did. I don't really care for circus/carnival movies, although I thoroughly enjoyed "Nightmare Alley" and didn't think it could be topped. So I was pleasantly surprised by "The Barker", an earthy, sweaty character study of a troupe of traveling 'carnys'.
An even bigger surprise was the towering performance of Milton Sills, a name I had only heard in movie reference books. His portrayal of Nifty Miller, a world-weary, morally unstable carnival barker nearly knocked me to the ground, to coin a phrase. His libidinous, self-indulgent world comes to a screeching halt with the arrival of his son,Chris, played by Douglas Fairbanks,Jr. who promptly falls in love with Bimbo-With-a-Heart Dorothy Mackaill. Naturally,complications arise but the whole movie comes to life when Sills, who as a reader above mentioned, looks like a slim Walter Matthau, is on the screen.
This is a very unusual film in that it is part sound and part silent. I found it jarring to go from 'talkie'to dialogue cards without warning but I have since learned that the UCLA film Dept. has restored this 'part-talkie', and that most others of this kind have been lost entirely. In fact, The last few feet of the film were lost and a still shot has been put in its place while the sound continues. Also, unless I miss my guess, that is Herman Mankiewicz himself, who has a writer credit on this film, playing a ukelele in the trio accompanying Betty Compson in her Hawaiian dance numbers. Could be a Hollywood 'inside joke'.
This one may be tough to come by but if you get the opportunity, don't miss it.
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