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Sunrise (1927)

Sunrise: A Song of Two Humans (original title)
Passed | | Drama, Romance | 4 November 1927 (USA)
An allegorical tale about a man fighting the good and evil within him. Both sides are made flesh - one a sophisticated woman he is attracted to and the other his wife.

Director:

F.W. Murnau

Writers:

Carl Mayer (scenario), Hermann Sudermann (from an original theme by) | 2 more credits »
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Won 3 Oscars. Another 2 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
George O'Brien ... The Man
Janet Gaynor ... The Wife
Margaret Livingston ... The Woman From the City
Bodil Rosing ... The Maid
J. Farrell MacDonald ... The Photographer (as J. Farrell McDonald)
Ralph Sipperly Ralph Sipperly ... The Barber
Jane Winton ... The Manicure Girl
Arthur Housman ... The Obtrusive Gentleman
Eddie Boland Eddie Boland ... The Obliging Gentleman
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Storyline

In this fable-morality subtitled "A Song of Two Humans", the "evil" temptress is a city woman who bewitches farmer Anses and tries to convince him to murder his neglected wife, Indre. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 November 1927 (USA) See more »

Also Known As:

Sunrise See more »

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Box Office

Cumulative Worldwide Gross:

$121,107
See more on IMDbPro »

Company Credits

Production Co:

Fox Film Corporation See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Movietone) (musical score and sound effects)| Silent (alternate version)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The original negatives of the film were destroyed in a fire at the original Fox studios in Fort Lee, New Jersey in 1937. See more »

Goofs

The number of bottles left on the table after the piglet bumps it changes between shots. There are five bottles when the piglet bumps it, but when the Man comes in and grabs the piglet there are seven bottles on it. See more »

Quotes

The Maid: They used to be like children, carefree... always happy and laughing... Now he ruins himself for that woman from the city - Money-lenders strip the farm - and his wife sits alone.
See more »

Alternate Versions

The Blu-Ray Disc release features the American version of the movie with 2 scores - the original American score, and an alternate, more recently-recorded one. See more »

Connections

Referenced in Lost Emulsion (2016) See more »

Frequently Asked Questions

See more »

User Reviews

Touching
7 October 2000 | by AizykSee all my reviews

I usually don't care much for silent films, but this one impressed and touched me. There were a couple things that bugged me just a bit, like the husband's apparently dismissable propensity towards violence, but I won't go into detail about that because someone already mentioned it. The director was skillful and his sense of visual style was nice, especially in the shot from inside the barn where the husband opens the door, and beyond it, the fog is shown passing by some wooden wheels in the background outside, and also the scene where the woman describes the city as they lay in the grass, while above them, superimposed shots moving down streets are shown. The most powerful thing about this movie, however, was Janet Gaynor's performance. She was sweet, and touchingly innocent, but not in a gratuitous, annoying kind of way that tries to sloppily, unskillfully and patronizingly manipulate the emotions of the viewer. My heart ached for her as she joyfully prepared to go out boating for the day with her increasingly distant husband, not knowing what was really in store for her, and afterwards when she'd had her heart broken by the devastating realization that he had almost murdered her. The loving look on her face, slowly melting away as she began to sense something was very wrong during the scene in which her husband rows away from shore was a powerful one for me, and an example of the acting skill that won her the Best Actress Oscar.

George O'Brian's performance was good as well, especially when he was overcome with guilt. But did anyone else besides me think he moved a lot like Frankenstein's monster in certain parts? Not to say that it was any detriment to his performance however, since the movies with those stereotypical Frankenstein portrayals came later.


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