Sisif, a railwayman, and his son Elie fall in love with the beautiful Norma (who Sisif rescued from a train crash when a baby and raised as his daughter), with tragic results. Originally ... See full summary »
Gabriel de Gravone
A reedited version of Abel Gance's silent masterpiece 'Napoléon vu par Abel Gance', with sound effects added, dialogue post-dubbed, and with new scenes filmed with additional new cast ... See full summary »
Abel Gance's 1971 sound edition of his epic 1927 'Napoleon', which contains much of the silent original, with new material shot and added in both 1965 and 1971, and with sound synchronization from both the 1932 reissue and this version.
Siegfried, son of King Sigmund, hears of the beautiful sister of Gunter, King of Worms, Kriemhild. On his way to Worms, he kills a dragon and finds a treasure, the Hort. He helps Gunther to... See full summary »
In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of 1917 to the end of the provisional government and the decrees of peace and of land in ... See full summary »
Sergei M. Eisenstein
A massive six-hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.Written by
Michael Brooke <email@example.com>
The French troops attacking Toulon and the Army of Italy use flags with triangles in corners, the pattern introduced in 1804. In 1793, the pattern was based around a large central cross with the regimental number surrounded by a wreath, with different patterns and colours in the four corners (one flag similar to this is seen carried by the Army of Italy). See more »
The film was deemed lost until film historian Kevin Brownlow managed to locate and restore many segments from various sources. In 1981 it was finally reissued in a 235-minutes version with a new music score by Carmine Coppola. See more »
an emotional extravaganza that reaches across time
I had the privilege of seeing the restored version of this film, to the accompaniment of a live orchestra under the baton of Carmine Coppola, in Los Angeles' un-air-conditioned war memorial. Despite uncomfortable seating and terrible heat, the experience of this four hour movie remains a watershed for anyone who attended. To think that because of the invention of sound, this masterpiece was partially destroyed by Abel Gance in a fit of depression, is heartbreaking. More shocking is that Gance's invention of Cinemascope - of which today only the end of the film retains in its triptych screen effect - was lost to filmgoers until its reinvention years later.
Obviously true art can't be hidden forever, and Gance did live to see Napoleon take its rightful place in cinematic history. Though it is many years later, I can still remember the tears and the ovation when the black screen with the white signature, "Abel Gance", signified the end of the film. A compelling and great work of art.
14 of 18 people found this review helpful.
Was this review helpful to you?
| Report this