7.4/10
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Love (1927)

Passed | | Drama, Romance | 2 January 1928 (USA)
A married woman compromises her social standing and family life when she falls for a young officer.

Directors:

Edmund Goulding, John Gilbert (uncredited)

Writers:

Leo Tolstoy (from the novel "Anna Karenina") (as Lyof N. Tolstoi), Frances Marion (continuity by) | 2 more credits »
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Cast

Complete credited cast:
John Gilbert ... Vronsky
Greta Garbo ... Anna Karenina
George Fawcett ... Grand Duke
Emily Fitzroy ... Grand Duchess
Brandon Hurst ... Karenin
Philippe De Lacy ... Serezha - Anna's Child (as Philippe de Lacy)
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Storyline

In Czarist Russia, Anna Karenina falls in love with the dashing military officer Count Vronsky and abandons her husband and child to become Vronsky's mistress. Tragedy ensues when Vronsky chooses his military career over Anna. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Metro-Goldwyn-Mayer Present the Stars of "FLESH and the DEVIL" GRETA GARBO AND JOHN GILBERT IN "LOVE" (original print ad - mostly caps) See more »

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Release Date:

2 January 1928 (USA) See more »

Also Known As:

Anna Karenina See more »

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Box Office

Budget:

$488,000 (estimated)

Gross USA:

$946,000

Cumulative Worldwide Gross:

$731,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(1994 alternate)

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The film was originally filmed with Dimitri Buchowetzki as director, Merritt B. Gerstad at camera, and Ricardo Cortez playing opposite Garbo. Producer Irving Thalberg was not satisfied with the completed film, so he disposed of it, and attempted reshoots with Norman Kerry. Even with a new director, Edmund Goulding, Thalberg still disliked the new footage. So Kerry was replaced with John Gilbert, replaced Gerstad with his favorite cameraman, William H. Daniels. Finally, Thalberg was satisfied. See more »

Goofs

At the Easter party the blond wig on the lady that Count Vronski is talking to is not on very well. You can see her black hair at the bottom of it. See more »

Quotes

Serezha - Anna's Child: The gardener said I mustn't ride my pony on the lawn... and I said that you said that I could... and he said... that you said... You haven't heard one word I said...
See more »

Alternate Versions

In 1994, the Turner Entertainment Company copyrighted a version in which both of the celebrated endings are shown. See more »

Connections

Version of Anna Karenina (1975) See more »

Soundtracks

That Melody of Love
(1927) (uncredited)
Music by Walter Donaldson
Lyrics by Howard Dietz
See more »

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User Reviews

 
For the Love of Anna
15 November 2001 | by lugonianSee all my reviews

LOVE (Metro-Goldwyn-Mayer, 1927), directed by Edmund Goulding, reunites John Gilbert and Greta Garbo, who were initially teamed in the steamy romance triangle, FLESH AND THE DEVIL (MGM, 1927). From the novel "Anna Karenina" by Leo Tolstoy, MGM updates the photo-play from 19th Century Russia to more contemporary setting. In spite of these and other changes, the plot remains loyal to Tolstoy giant sized novel, abridged to an 80 minute movie.

The story opens during a violent snow storm where Anna Karenina (Greta Garbo) is trying to get to St. Petersburg, Russia. Count Alexi Vronsky (John Gilbert), a young military man just passing through, sees this beautiful woman in distress and offers to help her. Unable to get to St. Petersburg on time, Anna is offered shelter at an inn. Alexi and Anna are then mistaken for a married couple with their bags being placed in the same room. The two find themselves in love with Alexi unaware that Anna is married to a senator (Brandon Hurst) and mother to a young boy (Philippe De Lacy) she adores. When Senator Karenin learns of Anna's illicit affair, he at first decides not to do anything in hope that they would eventually destroy each other. But Anna finds she must face the decision of whether to leave home and never see her son again, or remain in her present loveless environment with the only redeeming person being her son.

In the supporting cast are George Fawcett as Grand Duke Michael; Emily Fitzroy as The Grand Duchess; and Mathilde Comont as Mazha, the innkeeper. Almost forgotten, LOVE was remade and improved during the sound era of 1935, restoring it back to ANNA KARENINA with Garbo reprising her tragic heroin role, possibly just as famous as her other heroine of CAMILLE (MGM, 1936). The remake, set in 19th century Russia, is supported by Fredric March, Basil Rathbone and Freddie Bartholomew in the Gilbert, Hurst and DeLacy roles. In both versions, Garbo's most effective scene occurs when Anna, forbidden ever to see her boy again, sneaks into the house to visit with him on his birthday during the absence of her husband. After their reunion, joy spreads over both their faces as mother and son embrace. Garbo shows her ability with these scenes as an emotional and personable actress. However, the modern 1920s costumes she wears in LOVE appear to be the most outrageous (ugly hats and dresses) ever worn by an attractive woman. The character of ANNA KARENINA returned to the screen again as a 1948 British adaptation starring Vivien Leigh and Sir Ralph Richardson. There was even a 1985 television movie with Jacqueline Bisset and Christopher Reeve, the best appreciated being the 1935 Garbo remake.

Long before the Turner company resurrected this hard to find cinema classic, LOVE made its television debut on New York City's public television station, WNET, Channel 13's presentation of MOVIE'S GREAT MOVIES, September 10, 1973, hosted by Richard Schickel, with the feature film accompanied by an original orchestral score composed for this and 12 other silent films in the series. When currently shown on Turner Classic Movies, especially on its Silent Sunday Nights, the score for LOVE has been changed to a new orchestration, but handicapped by off-screen laughter and unnecessary hand clapping in the wrong places, making one wonder why? On the plus side, TCM presents LOVE with two endings: happy and tragic, making this worth seeing with its alternate conclusions. (***)


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