The King of Kings

The King of Kings is a good movie for the Christian family to watch anytime, but especially around Christian holidays. I was surprised to find the movie quite inspirational. The use of lighting during the black and white periods of film was exceptional. Jesus actually glowed. I did find the use of color detracting from the film. The background music is quite lovely. It was so lovely, that it almost put me to sleep as I saw the movie late at night. But once I made it through the first hour, I was caught up in the music as well as the other film content.I was surprised to find actual singing voices in the movie. I expected the film to be silent. Some of the episodes portrayed seemed a bit mixed up as to when they happened, but they were unimportant details. The text had beautiful script and many times nearly leaped off the page as spoken words. I thought this version was better the 1961 version. I believe that a Christian family might want to include this movie as a permanent addition to their movie library. Popcorn may be okay, especially for the younger crowd, but once the film really gets going, you won't really need it -- it'll become a distraction. Enjoy the film!

What a masterpiece! Visually stunning and deeply moving, even for the non-religious. DeMille was at his best in the silent era, and I have never seen the story of Christ told so beautifully. With more than a passing nod to nineteenth century Biblical painting, DeMille recreates the last days of Jesus' life in painstaking detail. He takes some liberty with chronolgy, and there is his trademark combination of religious fervour and delicious decadence. But the passion and sincerity are so strong that I'll be surprised if you don't shed a tear once or twice. And Joseph Schildkraut is stunning as Judas.

Eye-popping sets and superb photography combine with huge crowds of extras and excellent costumes to create one of the great epic films. And dig that opening orgy scene involving a scantily clad Mary Magdalene, a couple of old men, a leopard and a hunky charioteer leading a team of zebra! Wow! The first shot of Jesus is also cinema magic, an unforgettable moment. This film is superb.

I'm not a religious man. Nevertheless, I found this to be a very moving picture.

Or series of pictures. So many of the shots are very clearly carefully set up, often to evoke famous paintings.

The use of light, though simple given the techniques of the day, is often very effective.

The story is told to include all the well-known episodes in the story of Christ. The pace is leisurely, but never too slow. Each scene is developed to its fullest.

And the acting - which is to say the faces - are sometimes remarkable.

If you're used to action movies, you'll never get through this. But if you can adopt yourself to its pace, you'll be amazed how effective this movie is.

This may be one of the very best movies made about Christ. In the beginning I didn't really know what they were doing. It looked like they were making their own story up. But things got better and better as the movie went on. There were so many effective images in this movie that it is unforgettable.

The magic starts when Jesus is finally introduced. What an entrance he makes. A blind girl goes to Jesus for help. There is a bright light and you can tell by the little girl's performance that something is happening. Our view gets blurry because we are seeing through the little girl's eyes. Then the picture comes into focus and we can see Jesus standing in front of her. From that moment on the movie was amazing.

H.B. Warner is one of the greatest actors to portray Jesus. He has such a commanding presence in the movie. He does look a little old to be playing Jesus. At the time of Christ's crucifixion he was around 30. Warner was around 50. But this does not hurt the film at all. Warner does not look like an old man one bit and he had the perfect eyes and perfect face for the part he was playing. In the crucifixion scene when you see H.B. Warner without his shirt it's amazing how he has the perfect built to play Christ.

There were so many things that amazed me. The movie was silent, but it didn't even matter. There were so many effective images. This is what people went to the movies for before there were talking pictures. The first amazing scene was the scene when Jesus cures the blind girl. That was very well done. Every scene of Jesus performing a miracle was amazing. The Last Supper scene was very well done. When everyone leaves the table, the cup that Jesus was drinking from is shimmering. That would later become the Holy Grail. Throughout the movie Jesus is a glowing image. This added to Warner's presence in the film. The scene when Jesus is condemned was very well done and accurate. I was glad they got Pontius Pilate right in the movie. Pilate did not want to kill Jesus. The film also shows you how his wife truly felt. In this movie you see Pilate send Christ to be chastised rather than put to death. After the scourging, you see the people condemn him. You even get to see Pilate washing his hands. People complained about how Gibson's Passion of the Christ made Pilate look, but no one complained when they did the same in this. It is widely known that Pilate was not a villain. The King of Kings that came later in 1961 failed miserably in how it portrayed Pontius Pilate, not to mention a lot of other things. Seeing this makes you wonder what King of Kings with Jeffrey Hunter would've been like if Demille made it. Too bad he didn't.

My favorite scene in the movie would have to be the Resurrection. You will know why when you see the movie. Seeing everyone hugging Jesus in the end was so heartwarming. In the end you even get to see Jesus ascend into heaven. That was all very well done. The special effects in the movie were unbelievable. I was surprised how great they were. The movie was made in 1927. The storm after Christ commends his spirit is an awesome display. Amazing special effects. Seeing H.B. Warner on the cross is also a haunting sight. He really looked the part.

The final thing that I must praise is the performances by the actors. Everyone was great. Every single person in the cast. Everybody looked the part that they were playing. It was amazing. Dorothy Cumming was the perfect choice to play the Virgin Mary. Ernest Torrence was great as Peter. Victor Varconi was great as Pontius Pilate. Joseph Schildkraut was great as Judas. I couldn't believe that was the old man I saw on the Twilight Zone. In this movie Judas is a handsome young man and it is also the first movie were I've seen Judas without a beard. Schildkraut's interpretation of Judas will be something very new to you, but it turns out great. His performance was especially good when you see him in agony over betraying Jesus until you finally see him hang himself. Jacqueline Logan was a great choice to play Mary Magdalene. She was very attractive and great in the scene when Jesus casts the seven deadly sins out of her. Great effects in that scene too. Joseph Schildkraut's father Rudolph Schildkraut was also great as Caiaphas. This movie shows him for the villain that he was. Again, nobody complained about that in this, but they complained about Gibson's movie. Finally, H.B. Warner was great. I couldn't believe that was Mr. Gower from It's A Wonderful Life.

This is one of the greatest movies you will ever see about Jesus Christ. This is way better than King of Kings with Jeffrey Hunter. This movie was for the most part, very accurate. The special effects were great. The direction by Cecil B. DeMille was great. Again, too bad he didn't do the Jeffrey Hunter one. The performances by the actors were great. The King of Kings is an amazing movie and you will not soon forget the images that you see. Be sure to see this one. I promise you will not be disappointed.

Cecil B. DeMille's film about Jesus was made during a period in his career when he left Paramount and organized his own studio. Unfortunately for DeMille his studio went belly up after the stock market crash of 1929. The King of Kings is unquestionably the greatest film he made during that period.

But in DeMille's cinema gospel he eschewed the traditional Christmas story to be found in those four other gospels. DeMille begins his movie with a real lavish party at the home of a noted women of the town Mary Magdalene played by Jacqueline Logan. It's DeMille showing revelry at its best and most alluring.

Logan asks why one of her favorites, Judas Iscariot hasn't been attending her clambakes recently. She hears he's been hanging around with this carpenter from Nazareth reputed to have performed some miracles and who doesn't approve of her lifestyle.

That's it for Ms. Magadalene; she's not about to let this hick take one of her favorites away. Off in a chariot pulled by Zebras she goes after this carpenter. She finds H.B. Warner as Jesus doing one of the miracles and becomes a follower herself.

After this the film becomes a reverential straightforward account as you would find in the Bible.

Reverence and revelry, the hallmark of a DeMille film is found in equal measure in The King of Kings. H.B. Warner does a fine job in the lead role, he makes a saintly Jesus. I do wonder what led DeMille to cast Warner, to think of him in the first place. Warner was 52 at the time playing a 30 something Jesus.

The King of Kings offers the movie fan to see father and son Rudolph and Joseph Schildkraut who play Caiaphas and Judas. Both contribute fine performances to the endeavor. Unlike later gospel based films, this one clearly has Caiaphas as the villain of the piece. He's described in the subtitles as a man concerned more with 'revenue than religion' which doesn't make him all that different from some folks I could mention today. The Schildkrauts however were Jewish and stars in the Yiddish Theater in Europe and America. They got good and slammed for their participation in The King of Kings by more than a few of their co-religionists.

Sharp eyed viewers will also note that the guy playing Simon of Cyrene who helps Jesus with his cross is none other than Hopalong Cassidy, William Boyd. Boyd was a DeMille discovery and had previously starred in another DeMille production, The Volga Boatman. This of course was years before he became the idol of the nation's children.

In his autobiography DeMille goes into some detail about how Jeremiah Milbank helped him with the financing of the DeMille Studio from which The King of Kings was produced. After the initial run, Milbank set up a foundation in which prints of The King of Kings were copied and made available to various Christian mission groups free for their work. It's one reason why this particular film is never in any danger of being lost.

DeMille was told on at least one occasion that this was his greatest picture because there is no greater subject. It's arguably one of his best from a technical standpoint. Still for the hundreds of millions of affiliated Christians on the planet, The King of Kings certainly occupies a special place.