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The Jazz Singer (1927)

The son of a Jewish Cantor must defy the traditions of his religious father in order to pursue his dream of becoming a jazz singer.

Director:

Alan Crosland

Writers:

Samson Raphaelson (play), Alfred A. Cohn (adaptation) | 1 more credit »
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Nominated for 1 Oscar. Another 2 wins. See more awards »

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Cast

Complete credited cast:
Al Jolson ... Jakie Rabinowitz
May McAvoy ... Mary Dale
Warner Oland ... The Cantor
Eugenie Besserer ... Sara Rabinowitz
Otto Lederer ... Moisha Yudelson
Robert Gordon Robert Gordon ... Jakie Rabinowitz - Age 13 (as Bobby Gordon)
Richard Tucker ... Harry Lee
Yossele Rosenblatt Yossele Rosenblatt ... Cantor Rosenblatt - Concert Recital (as Cantor Joseff Rosenblatt)
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Storyline

Cantor Rabinowitz is concerned and upset because his son Jakie shows so little interest in carrying on the family's traditions and heritage. For five generations, men in the family have been cantors in the synagogue, but Jakie is more interested in jazz and ragtime music. One day, they have such a bitter argument that Jakie leaves home for good. After a few years on his own, now calling himself Jack Robin, he gets an important opportunity through the help of well-known stage performer Mary Dale. But Jakie finds that in order to balance his career, his relationship with Mary, and his memories of his family, he will be forced to make some difficult choices. Written by Snow Leopard

Plot Summary | Plot Synopsis

Taglines:

The Biggest Thrill You Ever Had in Your Life! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 October 1927 (USA) See more »

Also Known As:

Der Jazzsänger See more »

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Box Office

Budget:

$422,000 (estimated)

Gross USA:

$7,630,000
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Vitaphone)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The original Broadway stage production of "The Jazz Singer" opened at the Fulton Theater on Sunday, September 14th, 1925 and ran for 303 performances. The play starred George Jessel. Also in the cast were Phoebe Foster as Mary Dale, Arthur Stuart Hull as Harry Lee, Sam Jaffe as Yudelson and Howard Lang as The Cantor. See more »

Goofs

The head on Yudelson's beer disappears and re-appears between shots. See more »

Quotes

Jack Robin: [singing] Blue skies Smiling at me Nothing but blue skies Do I see Bluebirds Singing a song Nothing but bluebirds All day long Never saw the sun shining so bright Never saw things going so right Noticing the days hurrying by When you're in love, my how they fly Blue days All of them gone Nothing but blue skies From now on.
Jack Robin: Did you like that mama?
Sara Rabinowitz: Yes.
Jack Robin: I'm glad of it. I'd rather please you then anybody I know of. Oh darlin, would you give me something?
Sara Rabinowitz: What?
Jack Robin: You'll never guess. Shut your eyes ...
[...]
See more »

Connections

Featured in Rap Critic Reviews: The Jazz Singer (2015) See more »

Soundtracks

Dirty Hands, Dirty Face
(1923) (uncredited)
Music by James V. Monaco
Lyrics by Edgar Leslie, Grant Clarke and Al Jolson
Sung by Al Jolson
See more »

Frequently Asked Questions

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User Reviews

 
1927 Triumph in Motion Pictures
27 December 2007 | by hnrobinsonSee all my reviews

I have seen the Jazz Singer several times over my 60 years. I became interested in 1920 entertainers when I was in my mid teens. My grandfather had seen Jolson in a few Broadway shows and actually met him on a few occasions. Jolson was, as he claimed, "The Worlds Greatest Entertainer". He wasn't the greatest talent, such as Sammy Davis Jr. was, but his dynamic extroverted personality and the way he could capture an audience in his live Broadway Performances was never captured on screen. I know it may sound strange, but the movie producers just couldn't contain all of his energy and exuberance in front of a camera. His dialog delivery,singing and acting was quite good in this movie. Let us not forget that in 1927, black and white silent films were still the standard. That standard brought over dramatization,dark make up, etc. They were not going to take a chance on giving up the tried and proved silent ways completely. They weren't sure on how sound would go over with the movie attendees. How can that be? Silents were a technology that the audiences accepted. The use of all sound was taking a big risk, and difficult to produce using Vitaphone, which was basically synchronizing large recorded discs to the film. Nearly all of the movie houses were not set up for any type of sound at that time. In my opinion, the sound technology and the performance of Jolson carried the film.

I have great difficulty in understanding the comments listed in the posts of how today's human rights standards can be applied to a film that was created 80 years ago.

We are talking about 1927,and it is hard for me to understand how today's negative comments are made about the Black-face and other racial comments. This was a convention of the time 80 years ago. I do not for a moment agree that the way minorities were treated was correct, but that was 1927, not now! You cannot erase history to make it fit today's standards.

I thought Al Jolson did a superb job in his singing,dialog,and acting in this film for the era. One would need to review and compare the singing and acting styles,that of other performers of the era and make comparisons. Crosby, Sinatra, Eddie Fisher, even Elvis Presley & Jackie Wilson said that Al Jolson was a great influence on their careers. To say he could not sing as in some posts here, is absurd.


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