In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
In the midst of the Russian Revolution of 1905, the crew of the battleship Potemkin mutiny against the brutal, tyrannical regime of the vessel's officers. The resulting street demonstration in Odessa brings on a police massacre.
Sergei M. Eisenstein
Johnnie loves his train ("The General") and Annabelle Lee. When the Civil War begins he is turned down for service because he's more valuable as an engineer. Annabelle thinks it's because he's a coward. Union spies capture The General with Annabelle on board. Johnnie must rescue both his loves. Written by
Ed Stephan <firstname.lastname@example.org>
In the scene where Johnnie and Annabelle refill the water reservoir of the train, Marion Mack said in an interview many years later that she had no idea that she was supposed to get drenched. Buster Keaton had not told her what was supposed to happen, so the shock you see is genuine. See more »
The enlistment scene takes place in 1861 but the "Southern Cross" flag hanging outside the enlistment office wasn't used until 1862. See more »
One of the great masterpieces of cinema, Buster Keaton's "The General" combines inventive humor with terrific action and fine melodrama, all beautifully and carefully planned and photographed. It is filled with subtle and wonderful details that make it well worth devoting your full attention to watching. As an extra bonus, it offers a fascinating look at the Civil War era, with many realistic details, inspired by a historical incident.
After a short opening sequence, the movie divides nicely into two halves. Johnny (Keaton) is a railway engineer, turned down in his attempts to enlist in the Confederate Army and subsequently rejected by his girl. Continuing with the railroad, one day his locomotive is stolen by Union spies, who also kidnap his girl. Johnny first chases the engine into Union territory to recapture it, and then is himself chased by the Northern Army as he attempts to return home. Both chases are filled with excitement and manic fun, with some breathtaking stunts by Keaton thrown in. It all leads up to a dramatic and memorable climax that includes many ironic and suggestive touches.
Keaton is at his best, with the story offering him a perfect showcase for his many talents. His slapstick and acrobatic skills are given free rein, and his character's stoic perseverance is a fine complement to the frantic action.
This belongs near the top of any list of great films, a classic worth watching and re-watching.
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