Thrown in prison for a hundred years, Little Goofy and Big Goofy finally break free, posing as an anarchic duo of undercover painters. Soon, the boys wind up in a private party as visiting French dignitaries; however, who are they kidding?
Charley needs $10,000 right away. Mrs. Schwartzkopple has inherited $2 million from her late husband and wants to marry a younger man. Mr. Blaylock, her attorney, sees a way to solve both ... See full summary »
In 1818 Alabama, French settlers are pitted against greedy land-grabber Blake Randolph but Kentucky militiaman John Breen, who's smitten with French gal Fleurette De Marchand, comes to the settlers' aid.
In the dead of night, a terrible toothache wakes up poor Stan, and after a series of home-made remedies, Ollie takes him to the dentist. There, ample amounts of laughing gas lead to the perfect mess. Will Stan ever visit the dentist again?
Mabel Normand was the darling of the teens, starring in scores of short films with the likes of Charlie Chaplin, Roscoe Arbuckle, Buster Keaton, and Marie Dressler. Of course she co-starred with Dressler and Chaplin in the first feature-length comedy, Tillie's Punctured Romance, in 1914.It was a smash hit.
In 1918, Normand had the biggest hit of her career as the star of Mickey. In the early 20s she was peripherally involved in a few scandals and her career dried up. Despite the superb film, The Extra Girl in 1923, Normand was basically washed up. She tried Broadway; she went to Europe.
In the mid 20s she tried for a comeback and this 1926 short film, The Nickel-Hopper, was an attempt to return to her comedic roots. She was also backed by some major talent.
She plays a taxi dancer at a nickel a dance and supports her family. The dance scenes, thought brief, are very funny as she is hauled around the dance floor by a number of ridiculous men (including Boris Karloff as a masher). At home her father is a deadbeat, and poor Mabel doesn't even have a boy friend.
There are several terrific bits in this 37-minute film, and Normand is very good. She had a great deadpan delivery and made great use of her large eyes. The lady knew comedy.
Oliver Hardy (at the drums), James Finlayson, Margaret Seddon, Gus Leonard, Theodore von Eltz, and Michael Visaroff co-star. Stan Laurel co-scripted.
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