In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Violet is a shy teenager who dreams of escaping her small town and pursuing her passion to sing. With the help of an unlikely mentor, she enters a local singing competition that will test her integrity, talent and ambition. Driven by a pop-fueled soundtrack, Teen Spirit is a visceral and stylish spin on the Cinderella story.
Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ...Written by
Film included more than 37,000 extras including 25,000 men, 11,000 women, 1,100 bald men, 750 children, 100 dark-skinned people and 25 Asians. 310 shooting days were required. See more »
When Maria is pulling the levers to activate the gong, she acts as if they were hard to move. Yet in several shots the levers are actually loose and move quite freely (especially when Maria or one of the kids bumps them). See more »
Today I will tell you the legend of THE TOWER OF BABEL... "Come, let us build us a tower whose top may reach unto the stars! And the top of the tower we will write the words: Great is the world and its Creator! And great is Man!" But the minds that had conceived the Tower of Babel could not build it. The task was too great. So they hired hands for wages. But the hands that built the Tower of Babel knew nothing of the dream of the brain that had conceived it. BABEL. BABEL. BABEL. BABEL. One ...
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Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »
The premiere version was cut down for the official release (after bad word of mouth) in the USA to 159 minutes, while the German official release ran 153 minutes. See more »
Early science fiction story that presents a pessimistic prediction of a future society.
Who ever heard of an epic science fiction film? Especially in the 1920s? Sure, some science fiction movies are huge today, such as George Lucas' latest goofy Star Wars movie, but in 1926, Fritz Lang came out with a brilliant film about what the future would be like if people went on living the way they were living back then. And sure enough, we went right ahead living the way we were living, the population got bigger and more crowded, and now modern society is not a whole lot different from what was presented in Metropolis.
The story is about a young rich kid without a care in the world who becomes concerned about the way that society (Metropolis) was run by his father, John Frederson, the master of Metropolis. He lives in a Pleasure Garden' high above the level of the workers', and he worries about what would happen if the huge number of workers were to turn against his father, given the terrible conditions under which they live and work. Some of the best scenes in the film take place in the underground mines, showing the workers portrayed as little more than components on a gigantic, sinister looking machine. The scene where the machine overheated even contained some impressive stunts, as well as interesting cinematography as the machine transforms into a giant devil-looking monster. After countless workers are consumed by it (no wonder this was Hitler's favorite film), they are immediately replaced by other workers, who go right to the same spots that the previous men left and resume their robotic movements. If some of these scenes, men can be seen being carried away on stretchers after having been injured, and the rest of the workers keep right on working, hardly even noticing.
The way that the workers are portrayed as lifeless machines is one of the more potent elements of this film, as well as the most revealing about the directors intentions. When his son complains about the tragic things that go on in the mines, Frederson replies that such accidents are unavoidable, but his son still insists that they deserve credit for building the city. This is the kind of content that foreshadows some serious mutiny, and at the same time it shows what may very well happen when large groups of people feel mistreated. `Never underestimate the power of stupid people in large groups' is a saying that doesn't necessarily only apply to stupid people, as Metropolis suggests. Fritz Lang brilliantly portrays this very complex story with extremely limited dialogue, and the result is still compelling today. The special effects in this film are decades ahead of its time it even resembles The Fifth Element in many ways (except that the two films can hardly be compared) and the acting and especially the elaborately created sets are stunning to say the least. An excellent film, Metropolis is one of the few that should never be forgotten.
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