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Metropolis (1927)

Not Rated | | Drama , Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay), Thea von Harbou (novel)
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1,681 ( 107)
Top Rated Movies #109 | 6 wins & 5 nominations. See more awards »

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Cast

Cast overview:
Alfred Abel ... Joh Fredersen
Gustav Fröhlich ... Freder - Joh Fredersen's Son
Rudolf Klein-Rogge ... C.A. Rotwang - the Inventor
Fritz Rasp ... The Thin Man
Theodor Loos ... Josaphat
Erwin Biswanger Erwin Biswanger ... 11811 - Georgy
Heinrich George ... Grot - the Guardian of the Heart Machine
Brigitte Helm ... The Machine Man / Maria
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

13 March 1927 (USA) See more »

Also Known As:

Metrópolis See more »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$1,236,166
See more on IMDbPro »

Company Credits

Production Co:

Universum Film (UFA) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder)

Sound Mix:

Dolby Digital (1995 restored version)| Silent (original release)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

In January 1926, UFA executives met to determine what to do about the increasingly costly production, which seemed nowhere near completion. They considered pulling the plug, but instead settled on firing Erich Pommer from his position as head of the studio. He continued running interference on the production until April, when he left for a job at Paramount Pictures in the U.S. See more »

Goofs

When Freder and Maria reach the top of the stairs, when they are saving the children, their clothes suddenly dry up quite a lot. In the shot before they are still soaked. See more »

Quotes

Freder: To the new Tower of Babel - to my father - !
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Alternate Versions

The premiere version was cut down for the official release (after bad word of mouth) in the USA to 159 minutes, while the German official release ran 153 minutes. See more »


Soundtracks

Here She Comes
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Bonnie Tyler
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

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User Reviews

 
Heart is the Mediator Between Brains and Muscles – A Futuristic View of the Fight of Classes
26 January 2006 | by claudio_carvalhoSee all my reviews

In the future, the society of Metropolis is divided in two social classes: the workers, who live in the underground below the machines level, and the dominant classes that lives in the surface. The workers are controlled by their leader Maria (Brigitte Helm), who wants to find a mediator between the upper class lords and the workers, since she believes that a heart would be necessary between brains and muscles. Maria meets Freder Fredersen (Gustav Fröhlich), the son of the Lord of Metropolis Johhan Fredersen (Alfred Abel), in a meeting of the workers, and they fall in love for each other. Meanwhile, Johhan decides that the workers are no longer necessary for Metropolis, and uses a robot pretending to be Maria to promote a revolution of the working class and eliminate them.

"Metropolis" is a fantastic futuristic view of the fight of classes. When "Metropolis" was shot, it was a romantic revolutionary period of mankind history, with socialist movements around the world. Fritz Lang directed and wrote the screenplay of this masterpiece certainly inspired in this historical moment and defending a position of agreement and understanding between both sides, showing that they need each other. I wonder how this great director was able to produce such special effects in 1927, with very primitive cameras and equipment. The city of Metropolis is visibly inspired in New York. The performance of Brigitte Helm is stunning in her double role, and this movie is mandatory for any person that says that like cinema as an art. My vote is ten.

Title (Brazil): "Metropolis"


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