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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay), Thea von Harbou (novel)
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Top Rated Movies #109 | 6 wins & 5 nominations. See more awards »

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Cast

Cast overview:
Alfred Abel ... Joh Fredersen
Gustav Fröhlich ... Freder - Joh Fredersen's Son
Rudolf Klein-Rogge ... C.A. Rotwang - the Inventor
Fritz Rasp ... The Thin Man
Theodor Loos ... Josaphat
Erwin Biswanger Erwin Biswanger ... 11811 - Georgy
Heinrich George ... Grot - the Guardian of the Heart Machine
Brigitte Helm ... The Machine Man / Maria
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

13 March 1927 (USA) See more »

Also Known As:

Metrópolis See more »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$1,236,166
See more on IMDbPro »

Company Credits

Production Co:

Universum Film (UFA) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder)

Sound Mix:

Dolby Digital (1995 restored version)| Silent (original release)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

For the explosion of the heart machine, Fritz Lang refused to use dummies as stand-ins for the workers thrown about. He insisted that would look phony. So extras were to be hooked to harness belts and thrown through smoke, steam and fire. To lighten the mood before shooting, he insisted that his assistant, Gustav Puttscher, try out the harness, and then had him yanked almost to the top of the soundstage and left him there. During filming, he insisted the extras show pain, even though there were no close-ups. Fortunately for him, they already were in pain. See more »

Goofs

Maria is preparing to leave the catacombs and Rotwang has sneaked in to kidnap her. He diverts her attention by throwing a loose brick to the ground a short distance from himself. The candle Maria is holding is probably a prop that is actually a gas burner. A hose or cord (possibly a gas supply hose) is visible on the ground behind her on her left. She turns to her right and walks. The hose is pulled by her right heel. See more »

Quotes

Maria: Look! These are your brothers! Look - ! These are your brothers!
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Alternate Versions

In 1993 Jeff Forrester / USA Networks produced NEW copyrighted versions of mainstream silent films w/ EXCLUSIVE scores & NEW inter-titles. All but one (METROPOLIS) were in black & white. There were 7 in total. They were aired on the SYFY (SCI-FI) Channel during the Christmas holiday in 1993 as part of SCI-FI Channel's Silent Cinema marathon. It was hosted by renowned film critic Jeffrey Lyons & was taped @ the AMERICAN MUSEUM OF THE MOVING IMAGE in Astoria, NY. These particular versions have NEVER been available in ANY home video format. Their whereabouts are currently unknown. They were distributed by JORDEXX TELEVISION, INC. See more »

Connections

Referenced in Kraken: Tentacles of the Deep (2006) See more »

Soundtracks

Blood from a Stone
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Cycle V
Courtesy of Columbia Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

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User Reviews

 
Highly influential and, dare I say, prophetic?
3 December 2004 | by ACitizenCalledKaneSee all my reviews

Fritz Lang's Metropolis is the first true masterpiece of science fiction in film. You can see it's influence in films such as Star Wars, The Matrix, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Blade Runner, and countless others. Despite the fact that parts of the film are no longer available, the efforts to reconstruct the original film from its remains are valiant enough to provide enough to make the story clear. The special effects were far ahead of their time and the set designs were, in some cases, phenomenal. I can see where some people may not enjoy this movie. It is hard for some to really appreciate a movie that is 77 years old, because a lot has happened in film since then. Yet, if you look at the basic elements of this movie - its story, characters, artwork, cinematography, etc., I believe this movie has just as much to offer now as it must have in the late 1920's. Also, take into consideration the asthetics of German expressionist film when viewing this. The performances and set designs are going to be over the top. That was part of the style. Metropolis may not be for everyone, but, for those willing to read between the lines, this film still has a lot to offer!


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