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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

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Writers:

(screenplay), (novel)
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Top Rated Movies #109 | 6 wins & 5 nominations. See more awards »

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Cast

Cast overview:
... Joh Fredersen
... Freder - Joh Fredersen's Son
... C.A. Rotwang - the Inventor
... The Thin Man
... Josaphat
Erwin Biswanger ... 11811 - Georgy
... Grot - the Guardian of the Heart Machine
... The Machine Man / Maria
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Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

There can be no understanding between the hands and the brain unless the heart acts as mediator. See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

13 March 1927 (USA)  »

Also Known As:

Metrópolis  »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$26,435, 13 November 2011
See more on IMDbPro »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder)

Sound Mix:

(1995 restored version)| (original release)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

As production costs pushed UFA toward bankruptcy, the studio had signed a deal with Paramount Pictures and MGM that created Parafumet to release the two U.S. studios' films in Germany. It also gave the studios distribution rights in the U.S. and other territories to UFA's films and the right to alter those films as they saw fit. Parafumet cut the picture to about 115 minutes, excising the Thin Man's pursuit of Freder and Josaphat and much of the backstory about Rotwang's past romantic rivalry with Fredersen. See more »

Goofs

When Maria is pulling the levers to activate the gong, she acts as if they were hard to move. Yet in several shots the levers are actually loose and move quite freely (especially when Maria or one of the kids bumps them). See more »

Quotes

Freder: MOLOCH!
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Connections

Referenced in Meet Me on the Southbank (2013) See more »

Soundtracks

On Your Own
Music by Giorgio Moroder
Lyrics by Billy Squier
Produced by Giorgio Moroder, Billy Squier and Mack
Performed by Billy Squier
Courtesy of Capitol Records
(from the 1984 re-release)
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Frequently Asked Questions

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User Reviews

 
A fantastic movie, a must see
18 December 1998 | by See all my reviews

I was shocked to find myself riveted to this movie. This is without a doubt the best sci-fi movie I've ever seen! Let me explain my position. We have all seen modern sci-fi movies, and argued over which is the best ever made, but those film makers have high speed film and computers. Imagine trying to make a movie today with only the tools available to Fritz Lang in 1925, and even if you used a modern camcorder it would be nigh impossible! This is a must see for all persons interested in the history of film, as well as just good fun for everyone. The social metaphores as well as the religious and philosophical double meanings are a sight to behold.


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