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Metropolis (1927)

Not Rated | | Drama, Sci-Fi | 13 March 1927 (USA)
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In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.

Director:

Fritz Lang

Writers:

Thea von Harbou (screenplay), Thea von Harbou (novel)
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1,761 ( 11)
Top Rated Movies #109 | 6 wins & 5 nominations. See more awards »

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Cast

Cast overview:
Alfred Abel ... Joh Fredersen
Gustav Fröhlich ... Freder - Joh Fredersen's Son
Rudolf Klein-Rogge ... C.A. Rotwang - the Inventor
Fritz Rasp ... The Thin Man
Theodor Loos ... Josaphat
Erwin Biswanger Erwin Biswanger ... 11811 - Georgy
Heinrich George ... Grot - the Guardian of the Heart Machine
Brigitte Helm ... The Machine Man / Maria
Edit

Storyline

Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Fritz Lang's 1927 Masterpiece Now With 25 Minutes of Lost Footage (2010 re-release) See more »

Genres:

Drama | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany

Language:

German

Release Date:

13 March 1927 (USA) See more »

Also Known As:

Metrópolis See more »

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Box Office

Budget:

DEM 6,000,000 (estimated)

Opening Weekend USA:

$19,386, 14 July 2002

Gross USA:

$1,236,166
See more on IMDbPro »

Company Credits

Production Co:

Universum Film (UFA) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release) | (1927 cut) | (2002 Murnau Foundation 75th aniversary restored) | (Giorgio Moroder)

Sound Mix:

Dolby Digital (1995 restored version)| Silent (original release)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

In the English version of the film, all references towards the character of Hel were dropped, because her name looked to much like the English word "Hell." This, however, eliminated Rotwang's original reason to create the Machine Man. See more »

Goofs

In the Kino Video DVD, the cityscape shot that ends in Chapter 7 (at around 1 min) is cut short. It ends before a dirigible crosses the top of the shot flying from right to left. The dirigible appears in the Madacy Video DVD in Chapter 3 (at around 21 mins). See more »

Quotes

Freder: To the new Tower of Babel - to my father - !
See more »

Crazy Credits

Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »

Alternate Versions

The Friedrich Wilhelm Murnau Foundation undertook a restoration/reconstruction of this film for its 75th aniversary in 2002. This version runs 123 minutes and features a new recording of the original musical score used for the 1927 German version. It uses special intertitles to describe what took place in the footage that remains missing. See more »

Connections

Referenced in The Sandman (2007) See more »

Soundtracks

What's Going On
Music by Giorgio Moroder
Lyrics by Pete Bellotte
Performed by Adam Ant
Courtesy of Epic Records
(from the 1984 re-release)
See more »

Frequently Asked Questions

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User Reviews

 
Restored Kino DVD changed my view of this film.
13 March 2004 | by BockharnSee all my reviews

I doubt that I'd ever seen anything resembling a "complete" version of METROPOLIS before, though certain of its scenes were familiar to me, if only as used and abused in such films as Diane Keaton's HEAVEN (1987). In any case, whatever I had seen before had nothing like the clarity and beauty of the Kino restoration. I expected to be distracted by the restoration's technique of concise written descriptions of missing sequences, but the narrative coherence that these provided was definitely worth it. As "exaggerated" as the style of acting seems by contemporary standards, some performances, such as the Master of the city, are amazingly nuanced and layered, and Brigitte Helm is stunning as both Maria and her evil clone. The meticulous design of the film, the unerring camera placement and Lang's muscular choreography of the crowd scenes are breathtaking. I'd thought of METROPOLIS as a curiosity ("important" = "dull") but now I've come to appreciate it as the seminal work it has always been.


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