In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life. One of those is Freder Fredersen. One day, he spots a beautiful woman with a group of children, she and the children quickly disappear. Trying to follow her, he is horrified to find an underground world of workers who apparently run the machinery that keeps the Utopian world above ground functioning. One of the few people above ground who knows about the world below is Freder's father, John Fredersen, who is the founder and master of Metropolis. Freder learns that the woman is called Maria, who espouses the need to join the "hands" - the workers - to the "head" - those in power above - by a mediator who will act as the "heart". Freder wants to help the plight of the workers in their struggle for a better life. But when John learns of what Maria is advocating and that Freder has joined their cause, with the assistance of an old colleague. an inventor called ...Written by
Fritz Lang wanted 4,000 bald extras for the Tower of Babel sequence, but Erich Pommer could only find 1,000 willing to shave their heads. Since the scene was shot in the spring, these extras got to swelter under the hot sun shooting the exteriors as they hauled prop rocks and real tree trunks across the landscape. Some got sunburns on their scalps from the lengthy shoot. After shooting, Lang ordered the shot run through the optical multiplier to make the 1,000 extras seem like the 4,000 he had originally wanted. See more »
After having worked at the machine for ten hours, Freder is clearly exhausted when he enters the catacombs and goes down the last stairwell. When he relieved Georgy (worker 11811) earlier in the film, Georgy was sweating--implying Freder should now be sweating too. However, when he takes off his beanie in the catacombs, his hair isn't wet from sweat at all. See more »
The Machine Man:
[disguised as Maria]
Women and men, let no one miss today - ! Death to the machines - !
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Restoration based on the version in the Filmmuseum Munich and material preserved in the Bundesarchiv-Filmarchiv See more »
The Hollywood Classics Edition made by the Madacy Entertainment Group reads 'Approx 115 mins' on the box but is 118 mins long. See more »
This must be one of the greatest movies of all time. I found myself almost in a state of shock during the whole movie. Everything was perfect. The story was great, the filming was pure genius and the effects directly from another dimension.
I don't think any movie after this one have gotten so much out of the available effects of the time as this one. Nowadays they have super computers generating special effects. Sure they look good, but it's no big deal making them. Back in 1926 computers weren't even invented yet, all effects had to be done by hand or in simple editing. And when you take a look at all the thins that have been done in this movie, it's impossible not to get impressed. Huge buildings, explosions, flooding, picture phones (however did he come up with the very idea?), transformation sequences, robots and so on. No movie has ever pulled the limits of special effects as much as this one. Star Wars and Jurassic Park are also known as limit pullers in special effects, but they don't even come close.
Then you have the filming. Everything is perfect. The use of body language is tremendous, the light setting perfect, everything well timed and perfectly captured by the camera. I've never been witness to such a treat in filming other places.
And the story!!! Perfect in every detail. Intriguing, exciting and thrilling with lots of religious undertones and tyranic leaders. No wonder Hitler liked this movie...
I don't know how the original music of the film was, but the new music for the restored 139 minute version I saw was really good and moodseting.
All in all. This is one of the most perfect movies of all time, and it deserves anything it can get. Never has a 10/10 been as secure as for this movie...
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