A Page of Madness (1926)

A man takes a job at an asylum with hopes of freeing his imprisoned wife.

Director:

Teinosuke Kinugasa

Writers:

Yasunari Kawabata (short story), Yasunari Kawabata (adaptation)

Stars:

Masuo Inoue, Ayako Iijima, Yoshie Nakagawa

Cast

Cast overview:
Masuo Inoue	...	Servant
Ayako Iijima	...	Servant's Daughter
Yoshie Nakagawa	...	Servant's Wife
Hiroshi Nemoto	...	Young Man
Misao Seki	...	Doctor
Minoru Takase	...	Crazy Man A
Eiko Minami	...	Dancer
Kyosuke Takamatsu	...	Crazy Man B
Tetsu Tsuboi	...	Crazy Man C
Shintarô Takiguchi	...	Boy

Storyline

A husband picks up a job as a janitor at an insane asylum scheming all the time to be close to and free his wife from the institution where she recently attempted suicide. A score was added when in 1970 the reels were unearthed after they were considered lost for decades. The director approved and subsequently repudiated this version.

---

Plot Keywords:

mental illness | madness | insane asylum | father daughter relationship | husband wife relationship | 

---

Genres:

Drama | Horror

---

Details

Country:

Japan

Language:

Japanese

Release Date:

January 1975 (USA)

Also Known As:

The Forgotten Pages

Company Credits

Production Co:

Kinugasa Productions, National Film Art, Shin Kankaku-ha Eiga Renmei Productions

Technical Specs

Runtime:

59 min (1975 sound) 78 min (2007 restoration)

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

This film was lost for more than forty years until it was rediscovered by director Teinosuke Kinugasa in a shed in 1971.

---

Alternate Versions

Reissued in Japan in 1973 with musical score replacing original benshi.

---

Connections

Featured in The Story of Film: An Odyssey: The Golden Age of World Cinema (2011)

User Reviews

Should be as well known as The Cabinet of Dr. Caligari

A Page of Madness is an expressionistic Japanese film that has not gotten the attention it deserves. I was introduced to the film through the fifteen part documentary series The Story of Film an Odyssey. Fortunately, a friend had dubbed the silent film off of Turner Classic Movies during one of its infrequent showings.

The clip in The Story of a Film an Odyssey looked like some mad movie genius had crossed the set designs from a German expressionist film with the fast edits of a classic Russian work. This clip was from the attention grabbing opening of A Page of Madness. A janitor wanders an insane asylum at night during a storm. The storm has a strange effect on the patients and, presumably, the attendant. The edits are fast, conveying mystery and terror like in a horror film. This sequence (and a sequence at the climax) is nothing short of brilliance.

From here the film turns to a narrative, although an oblique one. This clerk or janitor seems to have an unhealthy fixation on one of the female patients. . . and more of one for this patient's daughter. The janitor clearly knew this family before the mother was committed. IMDb says that the woman is the janitor's wife. I am not doubting this, but the film is not clear on this point. What is clear is that the janitor is suffering from a lack of love. This janitor is not the only one. One patient is compelled to dance suggestively and nearly starts a riot. By contrast, the doctors appear clinical and ineffectual. As the film goes along, the protagonist's mental state seems to wane.

Much about the plot is unclear. Many Japanese silent were narrated by a spokesman in the theater. This may have been the case with A Page of Madness; thus, some of the ambiguity would have been explained by the live narrator. I prefer to think the ambiguity was deliberate and never explained. The film has a wonderful sense of mystery to it. I don't want any more of an explanation. I (and probably most film fans) watch a lot of movies that are merely fair. These films are watchable, but they do not stay in one's memory. That is why A Page of Madness is so stunning. It kicks the door down and announces itself to the world. I feel less like a reviewer than a herald for a lost classic. Are you listening Criterion?