6.1/10
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5 user 3 critic

His First Flame (1927)

Fire chief Amos McCarthy, a confirmed misogynist, counsels his nephew Harry Howells to avoid matrimony at all costs. Still, the lovestruck Harry is determined to marry his sweetheart Ethel.... See full summary »

Director:

Harry Edwards

Writers:

Arthur Ripley (story), Frank Capra (story) | 1 more credit »
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Cast

Cast overview:
Harry Langdon ... Harry Howells
Natalie Kingston ... Ethel Morgan
Ruth Hiatt ... Mary Morgan
Vernon Dent ... Amos McCarthy
Bud Jamison ... Hector Benedict
Dot Farley ... Mrs. Benedict
William McCall ... President of the College
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Storyline

Fire chief Amos McCarthy, a confirmed misogynist, counsels his nephew Harry Howells to avoid matrimony at all costs. Still, the lovestruck Harry is determined to marry his sweetheart Ethel. All that changes, though, when it turns out Ethel is a faithless gold-digger. Disillusioned, Harry spends the night in his uncle's fire house to try and forget his troubles... until the clamor of a fire alarm presents the bumbling Harry with a chance to be a hero. Written by Dan Navarro <daneldorado@yahoo.com>

Plot Summary | Add Synopsis

Plot Keywords:

farce | number in title | See All (2) »

Taglines:

They say that love is only fire against which there is no insurance. (Lobby card).

Genres:

Comedy

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Details

Country:

USA

Language:

English

Release Date:

3 May 1927 (USA) See more »

Also Known As:

Premier amour See more »

Company Credits

Production Co:

Mack Sennett Comedies See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Silent

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

This film was completed in July 1925, but not copyrighted until February 1926, and released in May 1927; along the way, it was edited from 5 reels down to 3 reels. See more »

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User Reviews

 
Wonderful comedy
7 September 2009 | by hte-trasmeSee all my reviews

"His First Flame" was something of a hidden gem for me. This 46-minute comedy as as funny as anything I have seen in a long time. Harry is an innocent, child-like figure who will accept without question that he has just cleanly pulled off a woman's leg or mistake a mannequin for a real woman, but he lives squarely in the real world -- where a man dressed in woman's clothing will not be mistaken for a woman, but scorned by passers-by and rejected by his uncle, where people marry for money, and where domestic abuse occurs. If Harry sees any of this, he accepts it with the same blank passivity that would would an inexplicable piece of magic.

It's this simplicity of Langdon's and the harshness of the real world as presented in the film here that got me truly emotionally involved, making the comic situations work so much better, and making me really feel for him weeping at the window. Langdon's comedy, even when very physical, works so well because of his wonderfully-performed long reactions, slow realizations, and uncomfortable fidgets, and director Harry Edwards really allows that to work here.

In all this is infinitely funny and charming, and perfectly blends grim but hilarious black humour (the scene in which Harry, invited to visit one violent couple, only noticed the argument next door, exclaiming "Seems to be a lot of fighting around here!) with genuinely sweet moments (Harry stopping his firefighter uncle in the middle of a rescue to wave hello). This well deserves to be sought out.


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